Showing posts with label plane. Show all posts
Showing posts with label plane. Show all posts

Thursday, November 12, 2020

Lindbergh Again Flies the Air Mail (reposted from Feb. 2017)

14 x 11", Acrylic on gessoed mounted birch panel
Painting #242, 2016-17

Commemorating the 90th anniversary of Charles Lindbergh's historic solo transatlantic flight aboard the Spirit of St Louis from New York City to Paris, May 20-21, 1927.

                With "The Spirit of St Louis" at the National Air and Space Museum, 
Washington, DC. Easter 2012.  

Prior to his exploit, Lindbergh was a pilot during the early years of the US Air Mail. He provided service for the newly designated route between St. Louis, Mo and Chicago, Ill. with intermediate stops in Springfield and Peoria. Ill.

Following the transatlantic flight, Lindbergh went on a three city celebration tour in the United States with stops in Washington, DC, New York City and St. Louis where many honors were bestowed upon him. In Washington, DC, on June 11, 1927, the Postmaster General presented Lindbergh with a commemorative airmail stamp. It was also the first time a stamp had been issued to honor a person still living.

The top letter in my composition- postmarked St Louis, on June 18, 1927, also bears a special ink stamp in celebration of his crowning achievement on the same day the city would honor him.

After his exploit, Lindbergh never return to his regular job as a U.S. Air Mail pilot. However he used the immense fame to help promote the U.S. Airmail Services. Lindbergh would return to his former route of St. Louis to Chicago in a CAM-2 plane for two-day promotional tour (northbound on February 20; southbound on February 21). On those two flights he carried tens of thousands of self-addressed stamped envelopes sent in from all over America and the world. These were back stamped, and then returned to their senders as a souvenir and collector item. Items carried on flights piloted by Lindbergh are still actively collected under the general designation of "Lindberghiana." The bottom letter postmarked with a lucky horseshoe -''Lindbergh Again Flies the Airmail'' was one among those thousands he carried that I was so fortunate to acquire for this painting.

I've attached a Lindbergh Stamp in mint condition and both letters to the back of the painting, as a special token for the prospect acquisitor.


In 2012, I did a similar painting for a group exhibition entitled "Planes, Trains & Automobiles" held at the Elliott Fouts Gallery in Sacramento, Ca. Click- HERE for Lindbergh bio notes and further documentation of both paintings.  

In 2017,  a full-circle moment occurred when this painting was exhibited at the OA Gallery in St. Louis, Mo, the city where Lindbergh lived while he orchestrated his dream. Without the eight St Louis men who financed the project which included the making of the custom design monoplane, none of it would have been possible. "The Spirit of St. Louis" was named in honor of those eight supporting patrons.

To acquire this painting, please contact: 

Galerie de Bellefeuille
1367 avenue Greene, 
Montreal, Quebec H3Z 2A8 
Tel: 514.933.4406
e-mail- art@debellefeuille.com
-SOLD 

Thursday, February 23, 2012

Lucky Lindy flies the Air Mail

Acrylic on gessoed hardboard, 10¼ x 12¼''
Painting # 206, 2012

This painting is my second entry for the ''Planes, Trains and Automobiles'' Invitational group show being held next month at the Elliott Fouts Gallery.

After reading Charles A. Lindbergh's biography on Wikipedia last fall, I started browsing on eBay to acquire some artifacts or memorabilia related to this much celebrated aviator. I would end up acquiring more than I could use. During the Christmas Holidays I read his first autobiography entitled WE, published on July 27, 1927, written only two months after his historic transatlantic flight. A testament to his phenomenal popularity, this June 1928 edition featured in the painting was already on its thirty-first printing. 

Charles A. Lindbergh was born in Detroit Michigan on February 4, 1902. His fascination with aeronautics started in 1912 at the age of 10, upon seeing his first airplane. After graduating High School, he enrolled in the College of Engineering at the University of Wisconsin-Madison in the fall of 1920. By the end of March 1922, he quit college, hopped on his motorcycle en route to Lincoln Nebraska where he enrolled with the Nebraska Aircraft Corp. to earn his pilot's wings. Because the novice flyer could not afford to post a bond required to cover possible damages on the school only plane, he was never permitted to fly solo.  He took matters in his own hands and did his first solo flight in May 1923 after buying a WWI surplus Curtiss JN-4, ''Jenny'' bi-plane for $440 and trading-in his Harley-Davidson. Prior and after purchasing of the ''Jenny'', he did some barnstorming across the mid-west and at state fairs. Popular in the 1920's, barnstormers would land in a farmer's field and offer plane rides lasting five to 10 minutes for $5 to any adventurous bystanders. In order to attract crowds there was often some sort of aerial side show associated with wing walkers and parachutists of which Lindbergh would engage in, becoming somewhat of a daredevil. In March 1924, he began a year of military flight training with the US Army Air Service and would graduate top of his class. In October 1925, he was hired by the Robertson Aircraft Corp. in St. Louis as an airmail pilot providing service to the newly designated 278-mile contract Air Mail between St. Louis Mo. and Chicago Ill, which included two intermediate stops in Springfield and Peoria Ill.



Charles Lindbergh and the Spirit of St. Louis

But Charles Lindbergh had loftier goals, one of which was pursuing the $25,000 Ortieg Prize to be awarded to the first successful non-stop flight made in either direction between New York City and Paris. He would later dedicate his best-selling book WE, to his mother and the eight spirited men from St. Louis who financed his adventurist project. Lindbergh would oversee the construction of the $15,000 one-seater, single-engine monoplane built by Ryan Airlines of San Diego, California. In order to keep the plane as light as possible, he carried an earth inductor compass, a periscope instead of a windshield, no radio, no parachute and no co-pilot, preferring to use the additional weight for extra fuel tanks carrying 450 U.S. gallons (1,704 liters)

The first successful  transatlantic flight had actually occurred eight years earlier on June 14-15, 1919. Two British aviators, John Alcock and Arthur Whitten Brown flew a modified Vickers Vimy IV bomber from Lester's Field near St. John's Newfoundland over open waters covering a span of 1,890 miles to Clifden, Ireland.  

Several unsuccessful attempts to win the Ortieg Prize had claimed the lives of six pilots. On May 8, 1927, twelve days before Lindbergh's attempt, two French war heroes Captain Charles Nungesser and his navigator François Coli departed from Paris - Le Bouget Airport and contact was lost after crossing the coast of Ireland, never to be heard or seen again.

On May 20, 1927 at 7:52 am,  the twenty five year old Lindbergh took flight in the Spirit of St. Louis departing from Roosevelt Field, Long Island, NY.  For the following 33½ hours, the chosen curved line flight course of 3600 miles would take him over New England, Nova Scotia, and Newfoundland, eastward over the Atlantic, down past the southern tip of Ireland, across the narrow strip of England, the English Channel into France and over the Eiffel Tower in Paris. He faced many challenges including skimming over both storm clouds at 10,000 feet (3,000 m), wave tops at as low at 10 ft (3.0 m), wing icing, flying blind through fog for several hours and combating fatigue. He successfully landing his Ryan monoplane at Le Bouget Airport at 10:22 pm on May 21 where an estimated crowd of 150,000 awaited.  From that moment on,  life would never again be the same for the previously little known U.S. Air Mail pilot who had just achieved virtually instantaneous—and lifelong—world fame. 

After much deserve sleep he would remain in Paris for several days and for the following weeks would go on a tour where his exploit was celebrated. Among the festivities were ceremonies, dinner receptions, galas and parades. Everybody wanted to shake his hand, from the common mortal to royalty. Before leaving Europe, the cities of Brussels and London greeting the new aviation phenom with open arms. 

At the time it is probable that when Lindbergh reached America, he got the greatest welcome any man in history has ever received; certainly the greatest when judged by numbers. The celebratory victory tour focused on three American cities: Washington, DC, New York City and St. Louis. 

On June 11, 1927, Washington DC was more than ready to honour him. After being greeted by President Coolidge, it was the turn of Postmaster General Harry S. New  who presented Lindbergh with the first special airmail stamp. He concluded his speech with the following statement. ''It has no titles to bestow- no medal it can add to those that have been given in recognition of your splendid achievement. There is one thing, however, it can do that will everywhere be regarded as most appropriate. It has issued a stamp designed for a special use with the airmail which bears your name..... It is the first time a stamp has been issued in honour of a man still living- a distinction which you have worthily won''.


The Lindbergh Airmail stamp (C-10) that is 
featured in the above painting under magnifying glass 
is in mint condition and has been attached 
to the back of the frame for the prospect buyer.


On June 13, 1927, New York City was more than impatient in voicing that he hurry to the celebration awaiting him there. It is estimated that a crowd swelling from 3 to 4,5 millions, lined the streets of Manhattan where among the many festivities was a ticker tape parade. During his last day in New York City, on June 16 he went to Brooklyn where more than a million people gave him another moving welcome. He would attend a large tea and reception at the Hotel Brevoort where Raymond Orteig presented him with the $25,000 prize for the first New York to Paris flight.


On Saturday June 18, 1927, the city of St. Louis hosted a huge parade with luncheon and banquet to follow. The following day, he did an exhibition flight in the Spirit of St. Louis over the former 1904 World's Fair grounds. Not an hour, scarcely a waking minute, was he free from demands. It is estimated that he received more than 2,000,000 congratulatory letters. 

The top letter in my composition- postmarked St. Louis, on June 18, 1927, also bears a special ink stamp in celebration of his crowning achievement on the same day the city would honour him.  This random letter is addressed to an Albert Ellbogen of Chicago, which has an indirect link with the Elliott Fouts show's theme, since Mr. Ellbogen was a past vice president of the National Railway Time Service Company.


Although Lindbergh's piloting days for the U.S. Air Mail was over, his immense fame was used to help promote the use of the service, whose catch phrase was ''AIRMAIL SAVES TIMES''. In 1927, an Airmail stamp was 10¢ vs a First Class stamp using ground transportation was only 2¢. The following year, Lindbergh would return to his former airmail route of St. Louis to Chicago in a CAM-2 plane. During this promotional two days, he flew northbound on February 20, 1928, then southbound on the following day. Tens of thousands of self-addressed souvenir covers sent in from all over the nation and the world were flown, back stamped, and then returned to their senders as a further means to promote awareness and the use of the Air Mail Services. Souvenir covers and other artefacts associated with / or carried on flights piloted by Lindbergh are still actively collected under the general designation of "Lindberghiana." The bottom letter postmarked with a lucky horseshoe -''Lindbergh Again flies the Airmail'' was one among those thousands he carried that I was so grateful to acquire. 


Curiously enough, both envelopes featured in my painting bears the name Mr. L.A. Wehrle of Belleville, Ill. which is located only 17 miles away from St. Louis, MO. The first letter is as the sender, the other as the recipient. 

The book that grounds the composition is entitled, Charles Lindbergh and the Spirit of St.Louis by Dominick A. Pisani and Robert Van Der Linder, with foreword by his daughter Reeve Lindbergh. It was published by Harry S. Abrams Inc. in 2002 for the Smithsonian National Air and Space Museum in Washington where The Spirit of St. Louis is on display. I positioned the book so that in viewing the postage stamp under the magnifying glass, Lindbergh's eye from the cover is looking at the viewer from the other side.




 After reading WE, I also did several viewings of Billy Wilder's film ''The Spirit of St. Louis''  starring James Stewart as Lindy. The movie was based on the 1958 Pultizer Prize winning book of the same name penned by Lindbergh himself. Both gave me a glimpse of his visionary insight and of his will to further the advancements of aeronautics. He was a young lad, highly intelligent, courageous and a fearless adventurist. He attributed the success of his non-stop trans-Atlantic flight to meticulous planning and all those involved in financing and building the Spirit of St.Louis In his later years, Lindbergh became a prolific prize-winning author, international explorer, inventor, and environmentalist. It is a post that may seem endless, but I am just barely skimming the surface of who Charles Lindbergh was. I am only focusing on the narrative relating with the items I was fortunate enough to collect in order to set up the composition in this homage. 


Update- April 27, 2012

This past Easter, we took a 5-day vacation to Washington DC. On Easter Sunday, we visited the National Air and Space Museum where the original Spirit of St. Louis and other navigational instruments of the Ryan monoplane are housed and preserved. I had studied the plane so closely, so it was a surreal and a somewhat humbling experience to be there in its presence. After the Louvres in Paris, this museum is the second most visited in the world and for good reasons. It has a WOW factor the moment you step in.




''Planes, Trains and Automobiles'' Invitational group show 
at the Elliott Fouts Gallery, Sacramento, CA, March 3- April 5, 2012.

Elliott Fouts Gallery
4749 J. Street Sacramento, California, USA , 95819 
-SOLD

Sunday, January 29, 2012

9-11 on a Dice Roll

Acrylic on gessoed hardboard,11¼ x 14¼''
Painting #205, 2012

This past September I was invited by the Elliott Fouts Gallery to take part in a group exhibition entitled ''Planes, Trains and Automobiles'' scheduled to open on March 3. The idea of using a Monopoly game board came to me during the following week as I was driving to the Greater Moncton Airport to pick up a family friend who was on a returning flight from Montreal. Upon taking the airport exit, you have to cross a railroad track to get to the terminal. So there I was, in an automobile, crossing a train track, to get to a plane.

My initial idea was using one of the four railroad spaces on the Monopoly game board. But the concept changed once I was able to acquire a plane and a train token on eBay. The locomotive engine token is part of the Monopoly ''70th Anniversary'' edition, while the jet plane game piece is from the Monopoly ''Here and Now'' edition. All three token have different finishes, the car has a semi-luster metallic finish, the train has a chrome finish while the plane is made of pewter.

As I was setting up the board game for the initial photo study and started moving the pieces around, the whole narrative came to me when I dropped the jet plane on New York Ave. I felt my heart sinking and it became a very unsettling moment. At the same time, it felt too important to dismiss. By the time I was done setting up the props, my initial concept would take on a whole new direction. The image may seem whimsical on the surface but has many cross references. The first serving as a 9-11 memorial on lives lost, the many injured and those left behind.  The 2001 World Trade Center disaster was also an attack on democracy and freedom, and the aftermath would immediately impact air travel, airport security and cross border crossing on a global scale. The count of dots on each dice totals 9 + 11,  and the two hotels are in reference of the Twin Towers. 

September 11, 2001 is forever etched in our consciousness. I was driving to Fredericton, NB to view an art exhibit at the Beaverbroook Art Gallery when I heard the drama as it unfolded live on radio. Later that evening and for the following days, I just sat in a numb state, transfixed and in disbelief in front of the TV set, absorbing the surreal video footage being replayed which also included two other passenger planes, one that targeted the Pentagon in Arlington, Va and a fourth (United Airlines Flight 93) that crashed into a field near Shanksville, Pennsylvania. The repercussions of the September 11 terrorist attacks are all immeasurable in the emotional, financial and physical realm. It would later lead indirectly to the U.S. wars in Afghanistan and Iraq, as well as additional homeland security spending, totaling at least $5 trillion.





A year later, I would visit ''Ground Zero'' where the World Trade Center once stood. Seeing the cross made from recovered steel beams rising above the ashes like a Phoenix was an overwhelming sight. As was the banged- up Sphere Sculpture that once stood outside the World Trace Center (surrounded by a water fountain) that was recovered in the wreckage and installed as a memorial site next to an eternal flame as the centerpiece of the Hope Garden in nearby Battery Park. 
                                                       
The Train engine on Kentucky Ave is in reference to the ''Blue Grass State'' for having the most productive coal field in the US and for it's mining history. Coal was the primary source of fuel for steam engine locomotive prior to WW2 before eventually switching to gasoline, diesel and electricity. Kentucky is also the fourth largest producer of automobile in the United States. The Chevrolet Corvette, Cadillac XLR, Ford Explorer, Ford Super Duty truck, and the following Toyota vehicles: Camry, Avalon, Solara and Venza are all assembled here.

And of course the little roadster is on ''Free Parking'', since ''the Best things in life are still FREE'', including a smile. There is currently a price to pay for clean air, clean water and personal freedom. The top numbers on the dices equal seven as a symbol that we can still count our many blessings even when life has many unexpected turns.

Trivia
-In the Monopoly ''Here and Now'' edition, the railways have been replaced by the four    
 largest airports in the US. The tokens have also been revamped. The Scottish Terrier has   
 been bumped by a Labradoodle, the boot by a New Balance sneaker, the car by a Toyota 
 Prius, there is also a large McDonald's fries, a Starbucks Coffee mug, a Motorola cell  
 phone and a laptop computer.
-Tokens from the Monopoly US ''Here and Now'' Edition were flown into space aboard  
 Space Shuttle Atlantis in 2007.




''Planes, Trains and Automobiles'' Invitational group show 
at the Elliott Fouts Gallery, Sacramento, CA, March 3- April 5, 2012.

-SOLD