Showing posts with label fog forest gallery. Show all posts
Showing posts with label fog forest gallery. Show all posts

Sunday, October 15, 2017

Recent paintings included in Harvest / Moisson, two-person show


These recent works will be included along with 
the nine new paintings in 
Harvest / Moisson
a two-person show with the Yvon Gallant

Fog Forest Gallery
L to R: self, Janet Crawford (gallery owner) and Yvon Gallant





Storm brewing in a teacup on Downton Abbey
  12 x 16'', acrylic on gessoed hardboard
painting #241, 2016B
Blog post - HERE
-SOLD





Tangerines in a Hurricane Vase ( homage to Edgar Degar)
Acrylic on gessoed hardboard, #159
15 x 11'' - 2009-2012
Blog post - HERE 
-SOLD





A Car on The Cars
Acrylic on gessoed birch panel, 12 x 12"
painting # 229, 2015
Blog Post- HERE
-SOLD




Vintage Fashion
Acrylic on gessoed birch panel, 12 x 12"
Painting # 223, 2014
Blog post - HERE
-SOLD





Lost a Marble over a Girl
Acrylic on gessoed hardboard, 12 x 12''
2011, # 192
Blog post- HERE
-SOLD



Sightseeing in 3-D
Acrylic on gessoed birch panel, 12 x 12"
painting # 231, 2015
Blog post- HERE
-SOLD


To acquire any of these painting, please contact the gallery.

Fog Forest Gallery
14 Bridge Street
Sackville, NB, Canada
(506) 536-9000
website- http:/fogforestgallery.ca



Thursday, December 10, 2015

Observing Alex Colville

Acrylic polymer emulsion on gessobord, 11 x 14''
Painting #235, 2015

- Owens Art Gallery, Mount Allison University in Sackville, NB - April 28, 2002, 3pm.

I'm here with my wife Suzanne at the opening reception of Alex Colville: The History of Mount Allison. The artist is present and I am quite nervous to meet him for the first time ever, but in a good way. It's a full-house, elbow to elbow. We walk around the first floor galleries when someone asks Suzanne if she was part of Colville family? Maybe it's the Rhoda Colville or his daughter Ann Kitz  hairstyle she wears that prompted such an comment.

Robert Benn (Class of 1952) makes an illuminating speech before introducing Alex Colville. Then Mr. Colville talks about the making of his 1948 commissioned mural, The History of Mount Allison located on campus at Tweedy Hall. He mentions that his gift of the 65 preparatory drawings done for the mural were stashed away in his house and that he had not looked at them for the longest of times. ''Seeing them all here displayed on the walls, some of them are actually quite good!'' he says.  

After his speech Suzanne tells me, ''Get in line to meet him''. I'm glad she came with me.


with Alex Colville at Owens Gallery Gallery, 2002

I had sent him four letters during previous years and he had always generously replied each time. When I introduce myself, he response was, ''Are you the runner?'' At the time I was running marathons and travelling to cities which also had great art collections to visit. I knew so much about the happenings in his artistic life, that conversation was easy. When we ended our chat he said, ''This is the first time that we actually meet each other in person'', which I replied ''Yes, it is''. He then signed a book, The Observer Observed, his biography written by Mark A. Cheetham and a Canada Post First-Day cover, whom had honoured him a month earlier by choosing ''Church and Horse'' for a stamp, part of the on-going ART Canada Masterpiece Series


This painting is kind of a personal piece for me. The artist who initially inspired me to start painting. The composition for this painting has elements that are connected to him. The book was written by David Burnett and published by the Art Gallery of Ontario (AGO) for a retrospective of his work in 1983. (click here for an interview with Barbara Frum).  I acquired it in a bookshop in Wolfville, NS during the late summer of 1989 after viewing an exhibition of his work at the University of Acadia Art Gallery that was entitled The Dow Gift. As luck would have it, it was an autographed copy.

The image on the book cover is a detail from his painting ''Target Pistol and Man'' done in 1980 when Colville turned 60.  Although he has included himself as a figure for several of his paintings, according to Burnett, this painting was the only true self-portrait until then. The setting for this painting was in his studio on the third floor of the house where he and his wife Rhoda lived from 1973 to 1998 in Wolfville, NS, the same space that is featured on the First-Day cover. In the image, he is not looking at the viewer, but rather at his self reflection in a mirror. His wedding ring and watch appears on his right hand/wrist, while in reality they would have been on the left. Burnett also explains the symbolism of the gun, which is not about violence as one might think.


Target Pistol and Man, 1980
Acrylic, 60 x 60 cm
Private collection, Calgary
at AGO (Oct. 2014)

The first day cover of his stamp was issued by Canada Post in Edmonton, AB on March 3, 2002. During our conversation, I asked him if he had attended the reception in Edmonton during the launch of the stamp, which he replied “No, it would had been a bit much to travel there”. It would be interesting to know why Canada Post chose Edmonton and not Sackville, NB or Wolfville, NS for the launch of the stamp. For my painting, I decided to change the date and place on the First Day cover to April 28, 2002 and Sackville, NB to document the day I got to meet him in person. He grew up in the border town of Amherst, NS. Sackville carried a lot of weight in his artistic career and family life. He attended Mt Allison University and earned a BFA in 1942. He married Rhoda Wright that same year and later raised four children here. He was dispatched as a war artist from 1943-46. From 1946 to 1963 he was part of the Mt Allison Fine Arts faculty as a professor. In 1963, he resigned from the university position in order to paint full-time while continuing to live in Sackville for another decade. Sackville and the nearby Tantramar Marsh would become the setting for several of his paintings. In this interview he recalls the importance of living in a more rural setting, away from the agitation of the big cities, click HERE.


Milk Truck, 1959
oil and synthetic resin
collection C.I.L
setting: Downtown Sackville, NB
exhibited at the AGO.

Since his passing at the age of 92 less a month, on July 16, 2012, Alex Colville continues to receive adulation as one of Canada's painter laureate. During that same spring, with failing health and in the memory of the passing of his wife Rhoda (December, 2011), he made a very generous gift of the 35 serigraph prints done during his artistic career to the Owens Art Gallery. I attended the opening reception on November 2, 2012 held in Tweedy Hall. His daughter Ann was invited to talk about the lives of her parents and the gift. She herself had served as a model for so many of his paintings from a very young age. It was a very moving moment for all. Mt Allison alumni and former student of Colville, Christopher Pratt also delivered a touching address about his formative years while a student under his tutelage. The huge gathering then proceeded for the unveiling of the exhibition at the Owens Art Gallery. While I am only one of his many admirers, my picture was taken at the exact some spot where I shook his hand a decade earlier and would appeared in the NB Telegraph Journal a few days later.


at the Alex Colville Gift, Owens Art Gallery, Nov. 2, 2012
Telegraph Journal, photographer Viktor Pivovarov

Since then, both the Art Gallery of Ontario in Toronto (AGO) (August 23, 2014 - January 4, 2015) and the National Gallery in Ottawa ( April 25 - September 7, 2015) have acted as the stage for a major lifetime retrospective which I had the immense pleasure on seeing with Suzanne in Toronto on October 28, 2014. We had also visited the National Gallery during the Easter break last year and got to see several of his paintings in their permanent collection. 


Alex Colville retrospective, AGO, 2014

On November 26, 2015, a 1975 Colville original painting entitled ''Harbour'' was sold during the Heffel Fall Auction for a record price of 1,880,000 CND (including premiums), breaking his previous record for Man on Verandah which was also sold at auction for 1,287,000 CND in 2010. 

This painting will be exhibited at the Fog Forest Gallery in a group show entitled ''The Finest Gifts'' in the lovely town of Sackville, NB.

To acquire this painting, please contact the
Fog Forest Gallery
14 Bridge Street, Sackville, NB
(506) 536-9000 
e-mail- gallery@nbnet.nb.ca
-SOLD


Previous posts on Alex Colvillle 

- Reflecting on being Acadian 
- The Colville House



Wednesday, July 15, 2015

The Coca-Cola Bottle at 100

20 x 10'', acrylic on hardboard, 2015
Painting # 230

The title says it all. Coca-Cola might be 129 years old, however the iconic form of it’s bottle is celebrating 100 years in 2015. This 6-pack edition was made especially for the occasion.

Coca-Cola was invented by Dr John Pemberton, a pharmacist living in Columbus Georgia. It was first introduced in 1886. The famous fonts used for in the lettering / logo is named Spencerian Script. In 1915, Coca-Cola launched a competition for the design of a unique bottle that could be distinguish by it's form alone. ''The contour bottle'' created by Earl R. Dean was declared as the winning entry. Coca-Cola has great sustainability. It is undeniable that from a marketing stand point that the company has gone to great length to remain current while retaining a nostalgic edge unlike it's main competitor Pepsi-Cola. Based on a best global brand rankings in 2014 by Interbrand, Coca-Cola was the world's 3rd most valuable brand, behind Apple and Google. Pepsi is ranked 24th. 

During the month of May of 2014, my wife Suzanne and I had the immense pleasure to visit the World of Coca-Cola. The museum is located in Atlanta, Ga, the same city as it's headquarters. It houses an immense collection of artefacts and vintage Coke memorabilia and is a must for any individual who collect anything Coca-Cola. The highlights for me was certainly all of the vintage signs, the Olympic Torch display from past games, the original paintings of the most iconic Santa Claus by Haddon Sundblom and the 'Taste it'' exhibit where you can sample at will the 100+ products made by the Coca-Cola Corporation that are available around the globe. As a parting gift, you get a newly bottled Coca-Cola to take home. 
  




Coca-Cola is a  major sponsors for several sporting events like the Olympic Games and the FIFA World Cup. With Canada hosting the 2015 FIFA Women's World Cup, Coca-Cola sponsored a Cross-Canada Tour of the trophy before the tournament began with several stops across our country. I was fortunate enough to be part of the medical team for all the seven games held here in Moncton, NB. One of six host cities that also included Montreal, Ottawa, Winnipeg, Edmonton and Vancouver. 



The painting is currently on exhibition in the group show, Under Summer Skies!
To acquire this painting, please contact the 
Fog Forest Gallery 
14 Bridge Street, Sackville, NB. Canada
(506) 536-9000 or e-mail-gallery@nbnet.nb.ca .
-SOLD

Monday, October 20, 2014

Made in Canada, an homage to Alice Munro and Mary Pratt

Acrylic on gessoed hardboard, 10 x 12"
Painting #224, 2014


Alice Munro and Mary Pratt are considered royalty and icons in Canada for their contributions to the arts.

Alice Munro is an author, a writer of fiction known for her uncomplicated prose of short stories exploring a recurrent theme of the human condition. American writer of "The Corrections" Jonathan Franzen states, "Over a career now in its sixth decade, she's rehearsed the same themes again and again, but that's because she's a master of variation. She has preternatural powers of sympathy and empathy, but she's never sentimental". The setting for many of her stories often takes place in southwestern Ontario, where she spent the greater part of her life. Her first short story, "The Dimensions of a Shadow" was published in 1950 at age 19. But it was only at the age of 37 that a collection of several short stories would appear in book format with "Dance of the Happy Shades. The Canadian literary scene was quick to recognize her talent by awarding her with the 1968 Governor General's Award for Fiction for her first offering. She would continue to publish another 13 volumes of original stories, gaining the attention of the literary world while receiving many accolades including two more Governor General Awards, three Trillium Book Awards, two Giller Prize, a Man Booker Prize, a National Book Circle Award, and a Roger's Writers' Trust Fiction prize. 


Alice Munro - photo by Kim Stallknecht

Munro has been a frequent contributor to several publications including The New YorkerThe Atlantic MonthlyGrand StreetHarper's MagazineMademoiselle, and The Paris Review. She was introduced to The New Yorker's readers in 1977 with the short story, Royal BeatingsI probably became aware of Mrs. Munro in 1998 when she was awarded the Giller Prize for "The Love of a Good Woman". That same Christmas, I offered the book to my wife as a gift. Her story "The Bear came over the Mountain" was adapted to cinema by fellow Canadian writer/director Sarah Polley as "Away from her". The film garnered two Academy Awards nominations; for Polley as Best adapted screenplay and for Julie Christie as Best Actress in a leading role. It won 7 Genie Awards including Best Picture and was ranked the #1 drama for 2006 by the Rotten Tomatoes.  "Boys and Girls", directed by Don McBearty won an Oscar in 1984 for best short film from an adaptation of a 1968 short story of the same name. On October 10, 2013, she became the first Canadian to be awarded the Nobel Prize for Literature. New Yorker editor Chip McGrath calls Munro's Nobel a "Win for her, for Canada". 


Mary Pratt is celebrated for her highly realistic paintings spanning a professional artistic career of more than 50 years. She was born in Fredericton, NB in 1935 and began drawing and painting at an early age. She would go on to study Fine Arts at Mount Allison University in Sackville, NB, where she would meet her former husband, Newfoundland artist Christopher Pratt. They would wed in 1957 and later moved to her husband's native province during the early 1960's.  Her artistic career was delayed by the fact that she was very busy raising their four children. At first, she stole time to paint small sketches on their kitchen table. Memorial University Art Gallery in St. John's hosted her first solo show in 1967. 

As she reveals in several interviews, she would find her voice as a artist with the painting, "The Bed" (1968).  The way the light came across the bed as she entered their bedroom, gave her what she describes as "an erotic reaction". She knew at that very moment that this was the kind of emotion that was essential when being informed about subject matter worth consideration and major enough to paint. She didn't find inspiration from other artists. She painted the world around her. Finding inspiration in the domestic and rural life she knew. In 1969, her work, The "Supper Table" is often considered as the first painting of her professional career, because she painted it from a slide instead of real life. The slide informed her about the constant light and gave the time needed to paint the subject in a timely manner.


 Mary Pratt - photo by Ned Pratt

Since then, her work as been exhibited and collected by major art institutions, corporate and private collectors across Canada while also being represented by two major commercial galleries, the Mira Goddard Gallery in Toronto and the Equinox Gallery in Vancouver. The year 2013 would mark the start of her third touring retrospective to visit several venues across Canada. The first being "The Substance of Light" 1995-97 organized by the Beaverbrook Art Gallery in Fredericton, NB. This was followed by "Simple Bliss" 2004-2005, organized and curated by the MacKenzie Art Gallery in Regina, Sask. and finally her 50th Anniversary retrospective 2013-2014, organized and curated by The Rooms, Provincial Art Gallery in St. John's Nfld and the Art Gallery of Nova Scotia in Halifax, NS. Six books have been published about her art, including A Personal Calligraphy (2000). She has been awarded The Canada Council of the Arts Molson Prize and is a companion of the Order of Canada. A series of two stamps was issued by Canada Post in 2007 to honour her contribution to the Canadian Art scene .  



I've had the privilege to view all three retrospectives. Her most recent, on October 18 at the Art Gallery of Nova Scotia. They are among the best solo shows that I've had the privilege to see in my lifetime. The impact they've had on my own work makes her my all-time favourite artist. She presents here subject matter in such an original manner, like no one had done before her. Her colour palette is harmonious, vibrant and goes beyond what any slide might be able to provide as information. So many of her paintings gives me a visceral internal response that just speaks volume about her ability to juggle life. She balances the very appealing images of jelly jars, fruits and glass bowls with less easy imagery containing dead moose, eviscerated chickens, dead fish and slides of a nude model taken by her husband.  Collectively, they become the biography of her own life. The scale of her paintings also makes a statement when viewed in person. This last show is but a sample of her total oeuvre and makes an overwhelming declaration of dedicating a life to family and art while making lifelong sacrifices in order to produce such a body of work. 

 
Art Gallery of Nova Scotia, Halifax, October 18, 2014

Salon hanging of still life paintings at the Art Gallery of Nova Scotia


Unlike Munro, who's work has crossed borders and has been published in 13 languages, Pratt's work as a painter has essentially remained inside Canada. That is the faith for many artists, not just Canadians. With the digital age and the internet, art is quickly becoming more accessible to the masses. Opportunities for artists are becoming more common place, even if recognition by the artistic establishment and academia might be another issue.  

Munro and Pratt do share many commonalities. They are of the same generation, only four years separate them. Both married as young adults and for a while put their professional career on hold in order to raise their children. Both lost children at birth or miscarried. Both depicted the world in their immediate surroundings. Although Munro's work is fictional, the setting for her stories is not. Neither of them have political agendas with their work. When they started to produce their mature work, both received National recognition very early on. Both divorced and remarried. Both of their careers has been hampered by illness as they advance in age. 

The genesis for this painting was brought on by these recent honours bestowed upon both. They are forever linked by the fact that Alice Munro's editor, Douglas Gibson has chosen no less than three of Mary Pratt's images to appear on her book covers, with:
-Friend of my Youth (1990) / "Wedding Dress"- 1986 
-No Lost Love (2003) / "Barby in the dress she made herself"- 1986         
-Runaway (2004) / "The Bed"-1968.  


For my own painting, the background image is Mary Pratt's "Jelly Shelf" (1999) from the exhibition poster for her retrospective "Simple Bliss" shown at the Art Gallery of Nova Scotia. I viewed that exhibition after driving my mother to Halifax for a medical appointment during the winter of 2005. My mother was insisting on paying for the usage of my car and gasoline for the seven-hour round trip. When I refused, she said, "Well, I want to pay for something", so she ended buying me this exhibition poster. My mother was not well at the time and passed away the following year from heart failure, Parkinson's disease and severe osteoporosis which had crippled her body. This image and poster has sentimental value for the very obvious. The curators for her current retrospective also chose "Jelly Shelf" as the promotional image for the poster and for the book cover published in conjunction with the show. Her latest retrospective in comprised of 75 paintings.   


To acquire this painting, please contact the 
Fog Forest Gallery 
14 Bridge Street, Sackville, NB. Canada
(506) 536-9000 or e-mail-gallery@nbnet.nb.ca .

-SOLD

Thursday, May 22, 2014

Peonies for Emily

Acrylic on gessoed hardboard, 12 x 12"
Painting #221, 2014

For this painting, I decided to crop the image tightly and focus on the glass vase rather than the flowers themselves. The book is Canadian Paintings, Prints and Drawings by Anne Newlands published in 2007 by Firefly Books.

The art on the cover is by Emily Coonan (1885-1971), "Girl in Dotted Dress" c.1923, thus the title.

I can't recall seeing Emily Coonan's artwork in the past, so she was not familiar to me prior to the publication of this book. After doing some research, it felt appropriate to give her flowers since she was a pioneer Canadian woman artist during a time when woman in art were mainly perceived as hobbyists. She studied under William Brymner as did many others of her contemporaries. Along with like-minded modernist painters, she was associated with the short lived Beaver Hall Group in her native Montreal.  She and Lilias Torrance Newton were the first woman to be invited to show with the illustrious Group of Seven. She was also the first artist to receive a travel grant by the National Gallery of Canada in order to go to Europe.

This painting is currently on exhibition in a group show at the Fog Forest Gallery entitled "In the Garden", from May 22 to June 14, 2014.

Fog Forest Gallery 
14 Bridge Street, Sackville, NB. Canada
(506) 536-9000 or e-mail-gallery@nbnet.nb.ca .

-SOLD

Wednesday, December 4, 2013

Glass Decanter at the MET

Acrylic on gessoed hardboard, 14 x 11"
painting #218, 2013


While my previous painting was inspired by a tumbler from the Museum of Modern Art Store, this one is from the permanent collection of the Metropolitan Museum of Art.

During the final day of our escape week-end in New York City this past February, my wife and I had the immense pleasure of meeting Hyperrealist painter Cesar Santander who kindly gave us a quick tour of the highlights of the Met. We then parted ways by noon time and made our way to the American Wing Café for lunch before heading back to the airport.  The American Wing features the Charles Englehard Court, a grand multi-level atrium flooded with natural lighting which showcases sculptures, architectural elements, stained glass and art glass. The ground floor has amazing Tiffany stained glass murals.

The previous month, I had acquired an original Louis Comfort Tiffany Favrile glass vase for my own collection and was able to find similar pieces in an adjoining room which houses decorative art.

The decanter and glasses featured in my painting are attributed to Jersey Glass Company of George Dummer (1824-1862) and can be found in the upper level of the atrium. It was displayed behind glass, but my SLR camera was able to focus properly on the vessel and eliminated any kind of glare. I took the photo as a vacation snapshot, but when I saw the image of my PC screen, it had all the elements for an elaborate glass study. It is one of the most intricate imagery that I have painted thus far.

This painting is currently on exhibition in the Walking in a Winter Wonderland group show at the Fog Forest Gallery. 

To acquire this painting, please contact the 
Fog Forest Gallery 
14 Bridge Street, Sackville, NB. Canada
(506) 536-9000 or e-mail-gallery@nbnet.nb.ca .

-SOLD 


Sunday, December 18, 2011

Book Club: Late afternoon coffee with Oprah


14 x 14'', acrylic on gessoed hardboard, 
2011, painting #202

Where does inspiration comes from? For me it's often a sequence of events that ignites the idea. This past spring, I watched the last 30 episodes of the Oprah Winfrey Show. After 25 years, she was saying goodbye to daytime television and moving on to her own network, appropriately named OWN (the Oprah Winfrey Network). During this same period,  I was browsing through the used book section at a Canadian Dollar Store here in town, when I spotted no less than a dozen books that were chosen as past selections for her Book Club. What are the odds, since the book display case is only a two sided, four feet wide rack. When I got back home, it all came to me, an homage to the grand lady of television. The next day, I went back and bought seven of them, adding to the four I already had purchased in past years. When I really think about it, over all those years, even if I had only watched 50 shows per season, it would amount to 1250 episodes.......1250 hours in front of the tube.  

She started her book club in September of 1996. The Deep End of the Ocean by Jacquelyn Mitchard was chosen as the first selection. Viewers were invited to read the book and the author was often present for an audience discussion at the conclusion. During the fifteen years, 67 books were introduced to her viewers. Because of the book club's wide popularity, many obscure titles have become very popular bestsellers. Several novels have sold in excess of one million copies, this occurrence is widely known as the Oprah Effect. It is estimated that the sales of the ''Oprah Book Club'' editions has sold in excess of 55 million copies. The top five with sales figures as of May 2011 are:
  1. Eckhart Tolle, A New Earth, 3,370,000 copies
  2. James Frey, A million little Pieces- 2,695,500 copies
  3. Elie Wiesel, Night- 2,021,000 copies
  4. Cormac McCartney, The Road- 1,385,000 copies (after the book was selected, it was awarded the Pulitzer prize for fiction in 2007)  
  5. Joyce Carol Oates, We were the Mulvaneys, 1,348,000 copies

Many of the titles would later be made into film, such as The Deep End of the Ocean, The Reader, The Pilot's Wife, White OleanderHouse of Sand and  FogA Map of the World, the Road and Love in a Time of Cholera.

Around 1996, was also the period when she started to enlighten people by having spiritual authors with their words of wisdom. This was the time when I really started to tune in, and had my own spiritual awakening while reading Celestine Prophecies by James Redfield.  Many people viewed this as a menace to established religions vs church free spirituality. I view them as two separate entities, which I won't go into details, but both are connected to God or a ''higher being''. She would emerged as a spiritual leader in the process, which continues on her own network with ''Oprah's Lifeclass''.  In fact, the only book that I have read from the Book Club selections is A New Earth by  Eckhart Tolle, which is my all-time favorite spiritual book. However, I have read many of the other books that were introduced on air during these spiritual classes from authors like Gary Zukav, Sarah Ban Breathnach, Shirley McClaine, Dannion Brinkley, James Van Praagh, Carolyn Myss, Rhonda Byrne, Wayne  Dwyer, Richard Carlson, Betty J. Eadie and several others. These are the authors that bring enlightenment with what Oprah calls ''A-ha moments''.

For this painting, I went for the visuals. In this lot of seven books are no less than three Nobel Prize Award Winners. Toni Morrison and Gabriel Garcia Marquez for literature and Eli Wiesel for Peace. The titles are as follows (clockwise)-
1- One Hundred Years of Solitude - Gabriel Garcia Marquez (featuring a painting by Cathleen Toelke)
2- Stones from the River - Ursula Hegi (featuring a painting by Albrecht Durer)
3- Song of Solomon - Toni Morrison
4- The Bluest Eyes - Toni Morrison
5- Night - Eli Wiesel
6- A New Earth- Awakening to your Life's Purpose - Eckhart Tolle
7- Love in a time of Cholera - Gabriel Garcia Marquez 

The Toni Morrison books are kind of hidden, but they are at the base level and they anchor the composition, plus she is one of Oprah's favorite person. I chose Love in a time of Cholera for a few reasons. It really complimented the color scheme of the cup and saucer. This Royal Albert demi-tasse with floral motif is called Camelot. It once belonged to my wife Suzanne's grandmother. When she died, Suzanne's mother Viola inherited the heirloom and displayed it in a curio wall cabinet for many years. Viola passed away, 6 years ago, she was an avid fan of the Oprah Winfrey Show.

In related stories, I've been sponsoring a boy from Haiti for three years now, specifically with money I earn from selling art.  I only get a letter from Wilky about once a year. The second letter I ever received was on January 12, 2010. It came with an updated photo of him. That evening as I was about to put his photo in a picture frame, I switched on the television as they were announcing and covering the devastation from earth quake that had just hit Haiti. The fact that I was holding his photo, also shook me. Fortunately for him, he does not live near Port-au-Prince and their area suffered minimal damage. On the same day I purchased the lot of seven books which including Love is a Time of Cholera, I was to receive the only letter from him this year. That day I read that his family had been afflicted during the recent cholera outbreak. He became gravely ill and one of his brothers almost died.

This past spring our 16 year old son was hospitalized for the first time in his life with viral infection that compromised his immune system. During this time he was reading Night by Eli Weisel for a book report in his English studies class. One morning as he had a fever of 104 F, and felt too weak to read, I sat at his bedside and read out loud a few chapters of the author's personal heartbreaking account of family rupture in concentration camps during WW2. 

I'm planning to do a complimentary Oprah Book Club piece next year taking a slightly different approach.  

To acquire this painting, please contact the 
Fog Forest Gallery 
14 Bridge Street, Sackville, NB. Canada
(506) 536-9000 or e-mail-gallery@nbnet.nb.ca 

-SOLD