Showing posts with label jelly jar. Show all posts
Showing posts with label jelly jar. Show all posts

Thursday, June 6, 2024

Confiture de Fraises


7 x 5", acrylic on gessobord 
Painting #295, 2024

I've just returned from a solo trip to France where I spent 24 days. My main goal was to walk again on the Camino de Santiago Trail network. This time, my trek began in Périgueux in the rain, on the Vézelay Way GR-654. It’s a much less traveled path. My first three days were spent on the Bergerac variant. I left the Vézelay Way after 9 stages, and transitioned onto the Puy-en-Velay Way GR-65 during my 10th stage (so I was off the grid from Villeneuve-de-Marsan to Aire-sur-l'Adour). My last six stages took me to Saint-Jean-Pied-de-Port and the finish line. Having previously completed 10 stages in 2017 and 14 stages in 2018, by walking these last six stages, I've completed the Puy-en-Velay Way (752 km). After five treks on the Camino de Santiago network (2009, 2017, 2018, 2019 and 2024), I have now accumulated 78 stages in France, Spain and Portugal totaling over 2000 km. I hope that there will be more in my future.





Saint James Gate and the finish line!

Before departing on my Camino, I had an opportunity to visit some friends, Chantal and Thierry who happen to live 5 km from Périgueux in France. The Dordogne region of France is known for its vineyards and the land of 1001 castles. After I was done hiking on the Puy Way, I spent three days in the Basque country in Saint-Jean-Pied-de-Port, Bayonne and Biarritz. As luck would have it, the Olympic Flame of the Paris Summer Olympiads would be making its way to Bordeaux during my last day in France. I had the opportunity to take part in the festivities surrounding the Olympic Torch Relay. Having been a torch bearer twice, it meant the world to me to just bask it all in.



This small painting was gifted to my friends who picked me up at the Bordeaux airport, hosted me in their beautiful home for two days and share with me some the local culture, cuisine and wines.

-Private collection - FRANCE


 

Tuesday, August 8, 2017

Bonne Maman

Acrylic on gessoed hardboard, 7 x 5''
painting #246, 2017

This small painting was a hospitality gift for my friend Françoise and her husband Michel who generously offered to pick us up at the airport in Lyon, France and welcomed us into their home for a two night stay in Annonay. On May 8, my wife Suzanne and I would embarked on the ''Puy Way" (GR 65) part of the greater network of trails of the Camino leading to Santiago the Compostella. The moderately difficult hiking trek from Puy-en-Velay to Saint-Jean-Pied-de-Port, France is 720 km in length, with an elevation reaching 1300m in the Aubrac region of the Massif Central. The whole journey should have taken us about 26-28 days to complete. Françoise did join us for the first day and hiked with us until noon before we said our goodbyes. 

Everything was going well until day 8, then Suzanne started to have pain in her left knee. By the end of day 9, the pain would turn into an injury. I continued solo for an additional day, while Suzanne took a shuttle bus in order to rejoin me in Figeac. After 3 days of rest, she saw very little improvement. So with heavy hearts, we decided to leave the trail and remain in Europe for another month as tourists. Not having to carry an 18 lbs backpack or tackling mountainous terrain permitted her to slowly recover. It would take 18 days for her to walk without a limp. I was able to hike 270 km during our 10 days on the GR-65. With this said, I feel I have unfinished business. I will be returning to Figeac by myself to complete the Puy Way hiking trek to Saint-Jean-Pied-de-Port next year.

After visiting the tourist information center in Figeac, a very kind lady helped us map out a new itinerary. We travelled by bus or train visiting Cahors, Toulouse, Bordeaux, Biarritz, Bayonne and St-Jean-de-Luz in France. We then crossed the Spanish border and made our way to San Sebastian and Bilbao. From there we boarded a plane to Barcelona where we stayed for 3 days, then flew to Rome for an additional 3 days before returning home. We swam in the Atlantic Ocean and Mediterranean Sea, visited 21 museums plus countless historical landmarks and churches. Some of the museums included the following: 

  • Musée des Augustins and the Bemberg Foundation in Toulouse
  • inaugural art exhibition held at La Cité du Vin in Bordeaux 
  • the jaw-dropping Guggenheim Museum in Bilbao 
  • Fine Art Museums of Bordeaux and Bilbao 
  • Picasso Museum and the Antonio Gaudi masterful architecture in Barcelona 
  • Vatican Museums with the Sistine Chapel in Vatican City 
  • Galleria Nazionale d'arte Moderna in Rome 
  • but my hands down favourite was the Museu Europeu d'art Modern in Barcelone, dedicated to figurative contemporary realism 

The whole trip was a wonderful whirlwind. 

Bonne Maman means "Good Mother" in English. Symbolically, the image is in memory of my mother Emma, and the painting will remain in the country of her ancestors. Since her passing in 2006, during our travels, we often see her name or it will just come up in casual conversation with others, a reminder that she is watching over us. This trip was no exception. This always brings me comfort and a validation that I should live out my dreams.

-private collection France 

Friday, July 30, 2010

Red Current Jelly

Acrylic on gessoed hardboard,
14 x 11'', #182, 2010

This painting is a companion piece along with a smaller painting done in 2007, ''Un déjeuner sur l'herbe''. The photographic session was done a the same time, it just took a while to get back to the imagery which I was longing to do for a while now. This painting appears comptemporary, but could have been painted 125 years ago. Wilkin & Son started producing preserves in Tip Tree, a village in Essex England back in 1885. The Bordallo Pinheiro cabbage plate on which the jelly sits on is from a Portugal pottery house which started producing ceramics in 1884.

My first trip to Europe in 1986 included spending a few days in the south of Portugal. In the wake of my recent trip to the south of England, it seemed fitting to bring these two items together at this time.

About a month ago I was contacted by the Elliott Fouts Gallery requesting my participation in an Invitational group show ''The Still Life'' that is schedule to run from October 2 til November 5 , 2010 in their gallery located in Sacramento, California. It was an offer I could not refuse. Not only to have the opportunity to show my work across the continent, but among the other participants are four artists which I have been in contact with and are part of the artist links on this blog. It's a small world folk!

This painting is the first of three to be part of this show.
-SOLD

Tuesday, October 2, 2007

Déjeuner sur l'herbe

Acrylic polymer emulsion on gessoed hardboard, 6 x 6"
Painted Sept. 23-30, 2007, #134

This jelly is made in England by Wilken & Sons Ltd. It states on the jar that it is by appointment to her majesty the Queen Jam and Marmalade manufacturers. The whole time I was painting it, all I could think of was the green lawn and flower garden in the background and watching "Breakfast at Wimbledon" on the telly. The plate is my beloved Bordallo Pinheiro cabbage plate that I purchased during a boxing day sale at Winners in 2002. This is the fourth time it appears in a painting. I was not worried about the glass nor the stainless, but in order for this painting to work I needed to get the jelly on the teaspoon right. To be able to paint a blob that was semi-opaque, yet transparent, that reflected light from several directions and in different colors. I am happy with the result. For the title, I opted to go across the pond in France and borrow the title from paintings done by both Claude Monet and Edouard Manet. Le déjeuner sur l'herbe, which would translate to "The breakfast on the grass".
- SOLD