Wednesday, February 26, 2014

A world in need of more Superheroes


Acrylic on gessobord, 11 x 14"
Painting # 220, 2014

Now for something completely different. I've had the idea for this image for several years now. I think I might have broken my personal record for the most printed letters and words in one painting. With Superman recently celebrating his 75th anniversary in print, the timing seemed appropriate. Superman was created in 1933 by American writer Jerry Siegel and Canadian born artist Joe Shuster, high school students living in Cleveland, Ohio. The character was sold to Detective Comics, Inc. (later DC Comics) in 1938. Superman is considered by many to be the most famous superhero of all-time. He was born Kal-El on the planet Krypton and raised by foster parents in the town of Smallville, Kansas. Living under the alias Clark Kent, he works as a journalist for the Daily Planet by day and transforms himself to come to the rescue of people in trouble by using is superhuman abilities for the benefit of humanity by night. 

I'm really going down memory lane with this one by using toys of bygone days. The first prop belonged to my wife's family. The earth globe was from made by J. Chein & Company. This collectable tin toy would be dated pre-1958, since several counties names have since changed after they acquired their independence. The other toy belonging to our son Jean-Luc when he was 8 years old. In 2003, with the success of the Justice League animated series playing on television, Burger King was offering in their Kids Club meals, a collection of eight toys which included  Superman, Batman, Hawkgirl, The Flash, Green Lantern, Martian Manhunter, Wonder Woman and Javelin 7. During the process of discarding many toys which he had outgrown, I kept a few which included this one.

  
This painting is a tribute for all of the super heroes that exist in real life. They may not wear skin tight suits and a cape, but their contributions in making the world a better and safer place are immeasurable. Sure there are the household names like Jonas Salk, Thomas EdisonLouis Pasteur, Frederick Banting, Charles Best, Alexander Fleming,  Alexander Graham Bell, Benjamin Franklin, Albert EinsteinPierre and Marie Curie and countless others that came before and after. But there's also the people working in all walks of life from the multifaceted healthcare system, teachers, police officers, firemen, farmers, scientists, inventors, soldiers, disaster relief aid workers, to the cleaning maids who help prevent the transmission of pathogens, to the volunteers in food banks and animal shelters just to name a few. There are Superheroes who also appear out of nowhere and put themselves in harm's way with acts of bravery to rescue or save a life. And of course, there are those who change the world with simple acts of kindness. Click on image below for this heartfelt Coca-Cola commercial.






Superman is a regarded as a world-wide Pop Culture icon. From the pages of DC comics, to action figure toys, to kids lunchboxes, printed on t-shirts and p-jays , body tattoos, to the small and big screens adaptations both in animation and live action films spanning several decades and sequels. I remember quite vividly, watching the original Superman movie starring Christopher Reeves as the protagonist with a bunch of friends at a Drive-In Theatre when it came out in 1978. In September 2013, Canada Post issued a series of six-stamp and the Royal Canadian Mint, a collection of silver and gold collector coins for Superman's 75th Anniversary.




I leave you with two of my favourite songs and videos both inspired by the Man of Steel. Click below to listen. 


Crash Test Dummies - Superman Song - 1991

Five for Fighting- Superman (I'ts not easy) -2001

If you wish to acquire the painting, please contact:

12 King Street,
Saint John, NB, CANADA E2L 1G2
(506) 652-9787
e-mail - info@handworks.ca 

Tuesday, December 17, 2013

Nostalgic Candy



Acrylic on gessobord, 14 x 11"
Painting #219, 2013

I came across this candy jar at Chapters Book Store during the fall of 2012. It was priced at $15, but probably contained two dollars worth of candies. The art of presentation and packaging really caught my eye which compelled me to buy it. The translation in French of Nostalgic Candy for the Canadian market should be "Bonbons nostalgiques". "Friandises d'antan" translates to Treats of Yesteryear in English which sounds equally sweet. 

The art book that anchors the composition is one of those amazing Taschen indispensables written by Kerstin Stremmel. The frontispiece for Realism is Gumball XV (detail) by Charles Bell. The first time I witness a solo show by a Photorealist was Charles Bell at the Louis K. Meisel Gallery in New York City during the month of November, 1994. This is a nostalgic homage to Bell, the type of artist I technically aspired to become in the earlier stage of my artistic career.  At the time, it just seemed quite impossible to paint like that. The book itself is a general overview on Realism with the likes of Eric Fischl, Lucien Freud, Edward Hopper, Tamara De Lempicka, Georgia O'Keefe, Gerhard Richter, Charles Sheeler, Grant Wood among others and two more Photorealists- Chuck Close and Richard Estes. 

This painting will be part of the 15th Anniversary Celebration Group Show of the Elliott Fouts Gallery running from January 4 to February 6, 2014. 







Participating gallery artists also includes: Christopher Stott, John Karl Claes, Gale Hart, Susan Hoehn, Bryan Mark Taylor, Anthony Montanino, Joe Santos, Kathy O'Leary, Deborah Bonuccelli, Vito Antonio Ferrante, Sandy Delehanty, Samantha Buller, Gary Pruner, Philippe Gandiol, Susan Shoger, Kathrine Lemke Waste, Terry Pappas, Judy Nunes, Manuel Nunes, Teresa N. Fischer, Gregory Kondos, Micah Crandall-Bear, Vic Vicini, Bill Chambers, Randy Brennan, Tod Steele, Jeff Nebeker and Tim White.


photo provided of EFG



Elliott Fouts Gallery
1831 P. Street Sacramento, California, USA , 95811 
Phone (916) 736-1429 
e-mail: efgallery@sbcglobal.net

-SOLD

Wednesday, December 4, 2013

Glass Decanter at the MET

Acrylic on gessoed hardboard, 14 x 11"
painting #218, 2013


While my previous painting was inspired by a tumbler from the Museum of Modern Art Store, this one is from the permanent collection of the Metropolitan Museum of Art.

During the final day of our escape week-end in New York City this past February, my wife and I had the immense pleasure of meeting Hyperrealist painter Cesar Santander who kindly gave us a quick tour of the highlights of the Met. We then parted ways by noon time and made our way to the American Wing Café for lunch before heading back to the airport.  The American Wing features the Charles Englehard Court, a grand multi-level atrium flooded with natural lighting which showcases sculptures, architectural elements, stained glass and art glass. The ground floor has amazing Tiffany stained glass murals.

The previous month, I had acquired an original Louis Comfort Tiffany Favrile glass vase for my own collection and was able to find similar pieces in an adjoining room which houses decorative art.

The decanter and glasses featured in my painting are attributed to Jersey Glass Company of George Dummer (1824-1862) and can be found in the upper level of the atrium. It was displayed behind glass, but my SLR camera was able to focus properly on the vessel and eliminated any kind of glare. I took the photo as a vacation snapshot, but when I saw the image of my PC screen, it had all the elements for an elaborate glass study. It is one of the most intricate imagery that I have painted thus far.

This painting is currently on exhibition in the Walking in a Winter Wonderland group show at the Fog Forest Gallery. 

To acquire this painting, please contact the 
Fog Forest Gallery 
14 Bridge Street, Sackville, NB. Canada
(506) 536-9000 or e-mail-gallery@nbnet.nb.ca .

-SOLD 


Thursday, November 21, 2013

New Art Book- Arte y Libertad VIII ( Art and Freedom VIII)

Art and Freedom VIII


The art book Art and Freedom VIII (Libro . Annuario Galeria Artelibre / Arte y Libertad VIII) published by Galeria Artelibre located in Zaragoza, Spain is just in. I'm very fortunate and grateful to have been invited to take part in this edition and was given a 4-page spread. I'm in very select company with over 100 top realists and hyperrealists painters from around the globe, several of which I've admired for many years, while many other talented artists were new to me.

The book cover jacket is graced by a 
Don Eddy painting. The polyptych, Broken Dreams was on exhibition earlier this year in NYC at the Nancy Hoffman Gallery during the month of January, and I had a chance to admire it up close.

You may order a book from this link - http://www.artelibre-store.com/libros/

Saturday, October 5, 2013

American Art Collector #96 / The Still Life Invitational

 American Art Collector - October 2013

My artwork currently appears in the October 2013 issue of American Art Collector (#96) on pages 124-125 as part of The Still Life Invitational, opening today at the Elliott Fouts Gallery in Sacramento, CA. This exhibition has been held annually during the month of October since 2010, and I've had the privilege to take part in all four editions.  


L- Life in Delft, gifts for Griet, 12 x 12", acrylic, 2013 - SOLD l
top R- Mondrian Tumbler, 11 x 14", acrylic, 2013 - SOLD l
bottom R- Peanuts come to Life, an homage to Charles Schulz, 11 x 14, acrylic, 2013 -SOLD l

This year's other participants includes the talented Bryan Mark Taylor, Christopher Stott, Elizabeth Barlow, Jelaine Faunce, Joanne Tepper, Judy Nunes, Leigh-Ann Eagerton, Teresa N. Fisher, Todd Ford & Vic Vicini. 

My three entries as shown in the image above will be included in the group show that runs from October 5-31, 2013.


To inquire about these paintings please contact:
Elliott Fouts Gallery  
1831 P. Street Sacramento, California, USA , 95811
Phone (916) 736-1429
e-mail: efgallery@sbcglobal.net

Saturday, September 28, 2013

Mondrian Tumbler

Acrylic on gessoed birch panel, 11 x 14"
Painting #217, 2013


Piet Mondrian (1872-1944) was a Dutch-born artist who is mostly recognized as one of the pioneers of Modern Art and is the epitome of the abstract painter. He is one of those artists whose entire body of work could be described as transient. Evolving from representational to non representational forms of art. Initially starting out with Impressionism, Pointillism, Fauvism, Post-Impressionism, Cubism then transitioning to more abstract forms of art. He is a major contributor to the Dutch De Stijl or Neoplasticism art movement. He is most celebrated for his grid-like paintings of vertical and horizontal black lines; using the primary colours, red, yellow and blue and placing them in contrast to the non-colours black, white and grey. He spent much of his professional life abroad in Paris, London and New York City. 



As mentioned in the previous post, this past January, my wife and I travelled to New York City for a 4-day winter getaway. During our previous past three visits to the Big Apple, we had always visited the Museum of Modern Art (MOMA). This time around, we only had time for a quick stop at the MOMA Store to browse through their art book selection. Upon entering, I saw these Mondrian Tumblers on a shelf which I simply could not resist. They are made exclusively for the museum. The composition for this painting needed to remain minimalistic and simple. My love of painting with the primary colours and glass made it an easy decision to pay homage to this artist. When ever I see a Monopoly Game board, I think of Mondrian.

photo from our visit to the MOMA in Oct. 2010.

Interesting trivia- During the 1920's in Paris, Mondrian became a very accomplished ballroom dancer. 

This painting will be included in the upcoming group exhibition, The Still Life at the Elliott Fouts Gallery, October 5-31, 2013.

Elliott Fouts Gallery  
1831 P. Street Sacramento, California, USA , 95811
Phone (916) 736-1429
e-mail: efgallery@sbcglobal.net

-SOLD

Sunday, September 22, 2013

Life in Delft, gifts for Griet



Acrylic on gessoed hardboard, 12 x 12"
painting #216, 2013

Girl with a Pearl Earring is one of the world's most famous paintings. It's has often been called the Dutch Mona Lisa, or the Mona Lisa of the North. This Johannes Vermeer's (b. Delft, Holland, 1632-1675) painting has been copied countless times by other artists or incorporated in various fashion in original pieces of art by many others. Little is known about Vermeer's life. Many of the models whom have posed for his paintings have never been specifically identified. With the passing of time, he was forgotten after his death. His artwork only came to light 200 years later. He is regarded as one of the greatest painters of the Dutch Golden age.  

Some speculates that the model used in ''Girl with the Pearl Earring'' might have been Magdalena Van Reijven, an art patron's only daughter or Maria, the artist's eldest daughter of which he had 11 children. My approach for this painting was to explore the unknown model behind the painting that was brought to life in Tracy Chevalier's fictional 1999 novel of the same name whom was given the name of Griet. I first came upon the novel in 2003, just prior to the film release based on the source material. The storyline is from the point of view of Griet, a very young woman who goes to work as a servant in the Vermeer household after her own father, a potter and tile maker suffers severe burns from a kiln explosion. The imaginary narrative leads to how she came to pose for Vermeer and the relation she entertained with the artist and his family during her brief stay there.

Chevalier paints life in Holland with a lot of historical details and nuances giving it a sense of authenticity and believability. I read the book with immense interest. When the film was released in theatres it became a magical visual spectacle of what life in Delft during the mid 17th century might have been like. Being able to venture inside a make believe Vermeer studio and how they brought everything to life is a visual feast for any painter. The movie itself was not filmed in Delft but on an existing movie back lot in Luxenbourg. The period film stars Scarlett Johansson and Colin Firth in the lead roles, and was directed by Peter Webber. Johansson was nominated for a Golden Globe and a BAFTA for best actress and did win the BAFTA that year but for another film, Lost in Translation.  I loved the fact that they were able to find an actress to play the role of the other servant named Tanneke, who looks exactly like the model in Vermeer’s ''The Milkmaid''. Other details like Vermeer's possible use of a camera obscura to create source imagery for his painting (click HERE). Description of pigment used for paint colour. In one scene when art patron Master Van Ruijven confronts Vermeer upon viewing the new commission painting his wife Emily, ''Woman with a Pearl Necklace'', he asks, ''Is this Indian yellow.....distilled from the urine of sacred cows fed only on mango leaves? You glazed my wife in dried piss!". Click HERE for movie scene. Interesting titbit, on Wikipedia, Van Ruijven's wife name was named Maria de Knuijt.

My painting, it is as much of an homage to Vermeer, but even more so to Tracy Chevalier. In order to create a visual narrative that was based on the Griet character during the final scene in the novel/film, I had the idea of incorporating a new tile to replace the one given by her father that had been broken by one of Vermeer's jealous daughter. While browsing on eBay I found this amazing hand painted Blue Delft tile with the scene of the city itself. It is also known as Delftware or Delft earthenware. The tear drop pearl earrings I used were also an eBay find from a seller living in China.  In the final scenes of the film, Griet leaves the Vermeers to return home, crosses a canal on a arch bridge and then soon after, Tanneke arrives at her house and she is given the pearl earrings as a gift from the artist. In the book, Griet does receive the earrings as a gift, but the circumstances are much different. Since the Blue Delft tile features row houses, a canal and an arch bridge, it really contributes to the narrative for my composition. 

Girl with Pearl Earring, c. 1665
Johannes Vermeer
Mauritshuis, The Hague

In real life, Pieter Van Ruijven had amassed approximately 20 of Vermeer's paintings during his lifetime. After his death, and that of his heirs these were sold at auction in 1696 for approximately 70 guilders each.  Arnoldus Andries des Tombe, a Dutch army officer later purchased ''Girl with a Pearl Earring'' at an auction in The Hague in 1881, for only two guilders and thirty cents. At the time, it was in poor condition. Des Tombe had no heirs and donated this and other paintings to the Mauritshuis in 1902. In the movie, the painting being acquired by Van Ruijven is ''Woman with a Pearl Necklace'' with his wife Emily modelling the same type of pearl earrings as in ''Girl with a Pearl Earring''. The two models also share the same facial features upon close examination. Personally I think that the model in both of these paintings is the same person. The turban she wears only adds an element to distract the viewer. Furthermore, these two paintings are dated one year apart. Then again, the same pearl earring appear in several other paintings on different models as does the ermine-trimmed yellow jacket shown below. 



Woman with Pearl Necklace, c.1664
Johannes Vermeer
Gemäldegalerie, Berlin

The Mauritshuis Museum is undergoing major renovations and is closed until mid 2014. However, a few masterpieces of the museum including ''Girl with a Pearl Earring'' is currently on tour in the USA. Earlier this year these were shown at the deYoung Museum in San Francisco. They are currently at the High Museum of Art in Atlanta and later next month will be travelling to The Frick Collection in New York City. 

I am a great admirer of Vermeer's artwork. Only 34 paintings have been attributed to him (view them HERE). During my travels, I've had the privilege to see 22 of them. These are housed at the Rejksmuseum in Amsterdam, the National Gallery in London, the Louvre in Paris, the National Gallery in Washington, DC, the Isabella Gardner Museum in Boston, the Frick Collection and the Metropolitan Museum of Art both in New York City. My personal favourite is ''Milkmaid''. 

And yes, I did use Indian Yellow in bringing Griet to life.


This painting will be included in the upcoming group exhibition, The Still Life at the Elliott Fouts Gallery, October 5-31, 2013.

Elliott Fouts Gallery
1831 P. Street Sacramento, California, USA , 95811 
Phone (916) 736-1429 
e-mail: efgallery@sbcglobal.net
-SOLD

Sunday, August 25, 2013

Post-Modern Times


Back in June, I was contacted by Stephen Smith, the founding publisher of rather new art publication called Post-Modern Times. The magazine really caters to aspects of realism and aesthetics in art. I am very fortunate to have been invited to participate in volume 2, and was granted a six-page layout to showcase my artwork. I am in very select company, because several artists whom I have admired greatly in the past are either in this issue or the inaugural volume.

A digital and/or in print copy is available through this link by clicking HERE.  It is published by the Birmingham Free Press

Saturday, July 27, 2013

Peanuts come to Life, an homage to Charles Schulz

Acrylic on gessobord, 11 x 14"
painting #215, 2013

Ever wondered how and why the comic strip received the name PeanutsThe origins goes back to the theatre, where the cheapest seats were those way at the bottom floor and where people purchased peanuts because they were the cheapest snack. If they disapproved of the performance, they would throw peanuts at the actors. If they would shout insults, the announcer would reply, "No more comments from the Peanut Gallery". The term Peanut Gallery was later adopted for the children audience featured in the Howdy Doody TV Show that originated in the late 1940's. 

In 1950, Charles Schulz approached the United Feature Syndicate with his best work from a comic strip named Li'l Folks. But since the name Li'l Folks was too close to the names of two other comics of the time: Li'l Abner and Little Folks, and in order avoid confusion, the syndicate settled on the name Peanuts, after the Peanut Gallery featured on the Howdy Doody show. Peanuts was a title Schulz always disliked. In a 1987 interview, Schulz said of the title Peanuts: "It's totally ridiculous, has no meaning, is simply confusing, and has no dignity—and I think my humour has dignity." 


Last year my wife bought a jar of Planters roasted peanuts which immediately ignited the whole concept. A few weeks later while strolling in a local antique shop, I found an issue of LIFE magazine dated March 17, 1967, featuring the protagonist and his dog with the headline reading: "The great Peanuts craze - CHARLIE BROWN and SNOOPY WINNERS AT LAST". This would become the perfect vehicle and element of contingency for my composition. 





The 1967 LIFE article reflected that despite the fact the 'Peanuts' characters who were born to be losers, in contrast, the popularity of the comic strip had attained new heights and had started a craze around the world. 

 "At scores of colleges, Peanuts characters are the biggest people on campus. In Vietnam, pilots fly into combat with Snoopy painted on their planes. Records based on Peanuts have sold millions of copies ("Snoopy and the Red Baron", "Return of the Red Baron" by the Royal Guardsmen). And even before it opened last week, a new off-Broadway hit musical,You're a Good Man, Charlie Brown, had sold tickets to admirers as far away as Nebraska. Dolls, cards, clothes and other Peanuts paraphernalia make up a more than $15 million-a-year business. Charles Schulz describes himself as "100% Charlie Brown." But unlike Charlie, who has lost a 123-0 baseball game, Schulz as a youngster pitched a no-hit, no-run game- and is today several times a millionaire". 
- LIFE Magazine - March 17, 1967.

In 1967, the comic strip had a following of 90 million readers a day. Before the passing of Charles Schulz in 2000, it had reached a milestone of 355 million readers in 75 counties.

Needless to say, the popularity of the Peanuts lives on in comic strips reruns. Snoopy is featured on the front of the Metlife blimp.   Most recently, a song entitled Charlie Brown was featured on the 2011 Coldplay album, Mylo XylotoThe musical, You're a Good Man, Charlie Brown has been a popular choice for amateur theatre productions because of its small cast and simple staging. It won several theatre awards during it's original 1967 run. During the 1999 Broadway revival, it would receive a Tony nomination for Best revival of a musical and won Tony awards for Kristin Chenoweth as Sally and Roger Bart as Snoopy in the best featured actress/actor categories. It is currently playing until the end of the month at the Woodland Opera House, in Woodland CA, near Sacramento. I am quite certain that the audience won't be throwing peanuts at the actors on stage this time around.

This painting will be included in the upcoming group exhibition, The Still Life at the Elliott Fouts Gallery, October 5-31, 2013.


-SOLD

Friday, July 19, 2013

Passing of a Great Artist



Meeting Alex Colville at the Owens Art Gallery,
Sackville, NB

It is with a sad heart that I learn Wednesday of the passing of one of Canada's greatest artist. Alex Colville, 92 died peaceful at his home in Wolfville, NS. Today, I read a CBC on-line interview where his daughter Anne mentioned that "If he would get letters from young artists, aspiring artists, he was tremendously kind and took a lot of time to respond to these". That statement rings very true for me as I have five reply letters with great advise to work hard in order to find my way as an artist. 

During my formative years as an aspiring artist, the surrounding milieu of Mount Allison University in Sackville, N.B. kind of became a pilgrimage place for me. It was where he received his Fine Art degree and later thought art for almost 20 years.  It gave me great insight into his artwork that was so regional and yet he had attain great national and international recognition. That a local artist was revered as Canada's painter laureate was certainly a great source of inspiration for myself and countless other realist artists, as the images he created are forever etched in the consciousness of our nation. I had the privileged to view several of his retrospective exhibitions including Alex Colville: Paintings, Prints and Process, 1983-1994 at the Museum of Fine Arts in Montreal (1994), Milestones at the National Gallery in Ottawa (2000), the Dow Gift in Wolfville (1997) and Return at the Art Gallery of Nova Scotia among others. 




I had the enormous pleasure of meeting him during the opening reception of his gift of preparatory drawings to the Owens Art Gallery during the spring of 2002. When I introduced myself, he quickly asked me, "Are you the runner?". I was so touched that he instantly recalled me writing to him. We had a very pleasant and animated conversation. To me that spoke volume of the man and artist he was. Confident in his role as a respected and celebrated artist and even better as a great human being. He remained active well into his late eighties. He will be missed. His essence and artwork will live in my heart forever. Condolences to the family and all of those who's lives he has touch.


Sunday, April 7, 2013

Kool-Aid Days


Acrylic on gessobord, 12 x 16"
2013, painting #214

This is a gallery commission piece. The client is a collector of both Crown and Ball Mason jars, so this was the main requirement. I was pretty given much given carte blanche as far as the composition goes. As a still-life painter, objects often present themselves in daily life. If I have a visceral response to them, I will just buy them on impulse because one day these will serve as my muses to inspire an imagery worth considering. I have been holding on to these Kool-Aid packs since 2007. The teal tinted Ball Mason jar on the left and the hand- made paper drinking straws were both purchased on Etsy in 2011 from different vendors from Florida, the sunshine state. Last fall, I was lucky enough to acquire these Crown Mason jars from a local seller on Kijiji. These are in mint condition, so I was truly surprise to see the year 1948 on the bottom.

Kool-Aid was invented by Edwin Perkins. All of his experiments took place in his mother's kitchen. Its predecessor was a liquid concentrate called Fruit Smack.To reduce shipping costs, in 1927, Perkins discovered a way to remove the liquid from Fruit Smack, leaving only a powder. Perkins moved his production to Chicago in 1931 and Kool-Aid was sold to General Foods in 1953. Hasting, Nebraska, the town where the fruity thirst quencher was invented still celebrates a yearly summer festival called "Kool-Aid Days" on the second weekend in August. The title is in homage of it's inventor.

I remember as a child that we use to buy individual packages like these at 6¢ each from a nearby corner store. On hot summer days, we'd go swimming at the beach and upon returning a pitcher was soon empty with three kids going for refills. Check out this classic 1970's commercial - HERE.

-Gallery commission 
  

Wednesday, March 27, 2013

Our past, present and future according to Suess

Acrylic on gessobord, 12 x 12"
Painting# 213, 2012-13

This is my third painting paying homage to Dr. Suess. The first two featured our pet goldfish Maurice who is still alive and well and will mark his 3rd anniversary with us next week. I was contacted by one of the galleries that represent me in early fall of 2012, after a patron happen to see "One fish, two fish....gold fish" on their website. Since it had already sold to another collector, I agreed to do a commission piece for them. During the past decade, this patron had acquired several of my paintings, so I submitted several images for their approval which included this more personalized composition. Putting my own spin on the image, I continued along the lines of the postage stamp series and fabricated a First-Day cover. I used a fish in the Suessville postmark to indirectly add Maurice in the mix. The postage stamp I used was issued by the US Postal Service in 2004, marking the 100th anniversary of the birth of Theodore Suess Geisel, (b. March 2, 1904). I decided to omit USA in order to create a more fictional territory for the narrative. The remaining of the objects were suggested by the clients for possible inclusion.


My previous two posting on Dr. Suess does include a few biography notes. Instead of being redundant , I came across this very appropriate video on YouTube that appeared in Rocketboom News. Then anchorwoman, Molly Templeton does an astonishing and clever delivery of a rhyming prose as an homage for author/illustrator's birthday. Click on image below to play, or click HERE


Molly Templeton (aka- Mememolly) of Rocketboom News

-Gallery commission

Monday, November 26, 2012

Marathon, a self portrait



Acrylic on gessoed hardboard, 12 x 12''
2012, painting #212

The Elliott Fouts Gallery in Sacramento, CA invited me last summer to take part in an invitational group show entitled ''Face Yourself'' that will feature artist self portraits. The invite stated, ''This can be conceived from your own point of view, how you think people view you, etc...You can get as creative as you want, there are no rules. I think the possibilities are endless and the outcome of the show is going to be fabulously unexpected and fun''.

I really went outside the box for this one, and literally inside a jar. Although I have been painting for 25 years, my artistic professional career only began 10 years ago. Prior to 2002, I completed an average of only two paintings per year. For a full decade, my main focus during my spare time was pursuing my dream of being a marathon runner.

I started running in 1976 at age 14 while in junior High School. The Summer Olympics held in Montreal that same year would leave an indelible mark on me. When Canadian Olympian Jerome Drayton won the Boston Marathon the following spring in 1977, his victory would ignite the flame within me to become a long distance runner and to one day follow in his footsteps.



The journey getting there was long and arduous. After competing in athletics and cross country races in junior and high school, I made the transition to road races.  During my twenties, I had my share of running related injuries and was diagnosed at age 26 with heel strike hemolysis. A long standing condition I had developed  where there is a breakdown of red blood cells in the capillary vessels of the feet upon the impact resulting in anaemia. This was corrected with iron supplement and kept in-check afterwards while continuing the therapy. 

In September 1992,  at age 30, the stars finally aligned for me and I would run my first full marathon. I had waited so long for this day, and thought it might be my one and only, so I decided to go big and run the Toronto Marathon, the city where my hero Jerome Drayton lived. I was so overwhelmed by it all and remember being teary eyed several times during the race. Half way in, I was still on pace to qualify for the Boston Marathon. With about 5 miles to go, I would hit the wall. I would however get a second wind on the final mile and had enough left in the tank to sprint the last 200m as we were greeted inside Varsity Stadium where a massive jumbo screen was set up and spectators in the bleachers cheers us in. I finished in a time of 3h22:10. It was a defining moment in my life and from that point on, I was hooked.  

My next goal was to achieve the qualifying standard for the Boston Marathon which was 3h10:59 for a male runner under 35. This would finally happen seven marathons and three years later on May 14, 1995 at the Johnny Miles Marathon in New Glascow, Nova Scotia. On this very difficult course, I would achieve a personal best of 3h11:30.  I would find out later that year that my clocking would stand and I received my ticket to the start line of the historical 100th running of the Boston Marathon that was held on April 15, 1996. Running my first Boston Marathon easily qualifies as the greatest moment of my whole athletic journey. The history behind this event is rich and is considered by many as the people's Olympics. It has always been held on the third Monday of April on Patriots Day. The inaugural running of the Boston Marathon took place in 1897. It was inspired by the marathon of the first Olympiads of modern era held in Athens, Greece the previous year.

In total, I completed 22 marathons and every one hold a special place in my heart. From the get-go, I decided to combine the races with travelling, and visiting art galleries and museums whenever possible. For the exception of three Boston Marathons (1996, 1999 and 2000) and two New York City Marathons (1994, 2002), all the others were in different towns and cities, twelve in the United States, nine in Canada plus the Bermuda Marathon. 

In the composition for this painting, the photograph of myself was taken during the last mile of the 1999 Boston Marathon.






The seven bid numbers used in the composition are among the marathons which hold the most importance on various levels.  From the top left -clockwise: 

1- New York City Marathon - 2002 



Bill Rodgers is a 4-time New York City and
4-time Boston Marathon Champion
One of the greatest ambassador the sport has ever known.


2- Maine Marathon - 1998 
3- The 100th running of the Boston Marathon - 1996
4- The Toronto Marathon - 1992
5- The Fredericton Marathon - 2001 
6- The Johnny Miles Marathon - New Glascow, NS.- 1995
7- The Chicago Marathon - 1993


By using a Mason jar, I am essentially preserving the memory of a self from a not so distance past, during a period where I physically felt the most alive and invincible.

UPDATE- January 5, 2013
This painting is currently on exhibit in ''Face Yourself'', an Invitational group show being held from January 3-31, 2013 at the Elliott Fouts Gallery in Sacramento, California.

Participating artists includes the talents of Lisa Alonzo, Teresa N. Fischer, Jeff Nebeker, Rogelio Manzo, Elizabeth Barlow, Jennifer Balkan, Ryoko Tajiri, Kenney Mencher, Micah Crandall-Bean, Byran Mark Taylor, John Tarahteeff, Jelaine Faunce, Randy Brennan, Gale Hart, Terry Pappas, Maren Conrad, Gary Pruner, Patricia Wall and John Karl Claes. Viewing at this LINK.


To inquire about this painting please contact:

1831 P. Street Sacramento, California, USA , 95811 
Phone (916) 736-1429