Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Friday, November 21, 2025

Polaroids, an homage to Andy Warhol

14 x 11", acrylic on mounted gessoed aluminium panel
painting #304, 2025

Call it happenstance. As I was about to start this painting, Radio-Canada Television (French CBC) aired the PBS documentary, Mr. Polaroid during an episode of Découverte on October 26. While focusing mainly of Edwin Land's long process of inventing the Polaroid camera and how quickly it evolved thereafter, it also surveys several of his many inventions and his involvement with the US government. 
 



Two years ago, I landed on this book while browsing in the small book aisle at Homesense. ANDY WARHOL Polaroids 1958-1987 was published by Taschen in 2020 with model, singer-songwriter, actress Grace Jones on its cover. 
 



The original Polaroid OneStep camera was introduced in 1977. It became an instant best seller and a global phenomenon. I once owned a One Step during the mid eighties, which was probably influenced by Nick Rhodes, the keyboard player of Duran Duran who was becoming a photographer in his own right and often hung out at the Factory with Andy Warhol (he appears on page 374).

A week after acquiring this book, I found a listing for a One Step Polaroid camera on eBay. I knew instantly that I was going to use it as a prop for a painting. In the meanwhile they were displayed together in an open shelf console television table in the den next to my studio. 

The One Step Polaroid Land Camera uses SX-70 film. That code was often used as reference for the iconic square format of the picture with a distinctive white border that is wider on the bottom if you wished to write on them. Polaroid images are known for their soft-hued, slightly out-of-focus, and dreamy visual style. The colors may not be perfectly true to life, and lighting can be unpredictable, contributing to an authentic, "imperfectly perfect" charm that digital photography often imitates with filters.

Andy Warhol died on February 22, 1987 at the age of 58 following complications after gall bladder surgery. I would actually complete my first original painting that same month. I've always felt a strong attraction to his body of work. While furniture shopping at IKEA shortly after my wife and I married in 1986, we stumble upon the last remaining Warhol exhibition poster of Ingrid Bergman (with hat) printed by Galerie Borjesön in Malmö Sweden. Since it was the last poster and the one in the display case, I asked if I could buy it. After consulting the floor manager, it was discounted for $2. These are still available and often sell upwards of a grand. 

The Andy Warhol self-portrait image used for my painting is from a serigraph on canvas he created in 1964. Like many of his serigraph prints, he used that same image and produced a whole series in various colors. Christies recently sold one at auction for 3,300,000 USD. On August 10, 2002, the US Postal Service (USPS) issued a 37 cents stamp honoring Andy Warhol using the same 1964 imagery. This is quite possibly the least amount of money you can spend to acquire a Warhol. I've affixed one of these stamps on the back of my painting. 




As for Andy Warhol's Polaroids, they are also highly sought after. These were often used as reference photographs for his silkscreen prints of celebrities and other subject matter.  Artsy has a page dedicated to these original photographs, selling upwards of 20,000 USD each. 




This painting is part of a group exhibition entitled 
ENCHANTED - Nov. 14 - Dec. 31, 2025

14 Bridge Street, Sackville,
New Brunswick, Canada, E4L 3N5
Phone (506) 536-9000

Monday, October 7, 2024

Platform 9 ¾, the Portal to Hogwarts

 

12 x 12 inches, acrylic on gessoed mounted aluminium panel               
 painting #298, 2024 - black floater frame 

I first discovered the Harry Potter books through the Rosie O'Donnell Show in the late 1990's. Rosie was a fanatic from the get go and promoted not only the books, but its author J.K. Rowling (Joanne Rowling), the film series that followed and its stars. I started buying the books at Costco not long after, and anticipating each new releases which totalled seven in the series. Each new book became an event with people lining outside book stores for hours if not days before its release. I read the first book, Harry Potter and the Philosopher's Stone during the month of November/December 2000. 

A great author has a way of keeping the reader engaged. J.K. Rowling's creative story telling, imagination and the whole fantasy world she created just sparked my imagination and painted every scene in my head with details and wonderment. When the films started coming out, I was awestruck by how they were able to recreate that whole world on celluloid. 

Much like the books series that broke sale records, the blockbuster motion pictures were equally on par as a cultural phenomenon. Not to mention all of the derived commercial products associated with this franchise that are still being produced for their legions of fans. The seven books has been translated in over 80 languages and sold in excess of 520 millions copies. On a 1,2 billion dollar budget, the movie franchise comprising of eight films has made a whopping 7,7 billion dollars at the box office. The films which stared then newcomers Daniel Radcliffe (Harry Potter), Rupert Grint (Ron Weasley) and Emma Watson (Hermione Granger) were surrounded by a stellar cast of the most celebrated British actors including Maggie Smith, Ian McKellen, Emma Thompson, Alan Rickman, Robbie Coltrane, Richard Harris, Gary Oldman, Helena Bonham Carter, Ralph Fiennes, Imelda Stanton, John Hurt, Kenneth Branagh and many more.

Platform 9¾, Harry Potter and the Philosopher's Stone (movie scene) 

I ended reading five of the seven books. The only reason why I didn't read the last two was because I had changed jobs and devoted less time for reading. Not because they weren't captivating.  

When the first film was released, it became the highest-grossing film of 2001 and the second-highest-grossing film of all-time after The Titanic. My son Jean-Luc's childhood revolved around LEGOS. When he was six years old, he asked Santa for the Hogwarts Castle for Christmas. Harry Potter Lego sets started coming out during the release of the first film. He had seen it at Costco so when he found it under the tree on Christmas morning, he was as surprised as I was. We spend that whole morning setting it up. Jean-Luc has a very creative imagination, so it wasn't long until he dismantled it and elaborated other versions combining other Lego sets from his collection. 


Jean-Luc with his re-invented Hogwarts Castle, 2002 (age 6 or 7)

In 2010, when Jean-Luc was 15 years old, we visited London and did a few day trips in England. He is still to this day a big supporter of Chelsea Football Club. While we weren't lucky enough to get tickets to see them play a soccer game, we did go on a tour of Stamford Bridge, the stadium where they play. However, we were fortunate to attend a match when Manchester City was visiting West Ham F.C. 

During one of our day trips, we visited the campus of Oxford University. Christ Church College provided the location for many Harry Potter scenes. The staircase below was used to film the famous entrance scene where Professor McGonagall meets Harry, Ron and Hermione. 

Oxford University, May 2010



The staircase then leads up to the Tudor Great Dining Hall which served as inspiration for the great Hogwarts Dining Hall. The hallways of Christ Church were also used to film the scene in which Hermione shows Harry the Quidditch trophy his late father had won.


Oxford University, May 2010

Fast forward 2019, when Jean-Luc was 24, he and I hiked the Portuguese Way on the Camino from Porto, Portugal to Santiago de Compostela in Spain. Our 10 day walking trek covered 240 km. Before departing, we visited Porto for two days. JK Rowling lived in Porto from 1991-1993, where she wrote the first three chapters of the first Harry Potter book. The famous Livraria Lello's bookstore's interior is rumored to have inspired the book shop Flourish and Blotts in Daigon Alley for the serial. 



My son Jean-Luc, Porto, July 2019.



Signed by JK Rowling, Livraria Lello bookstore, Porto, July 2019.

Back in 2001, Jean-Luc was collecting Harry Potter trading cards which was part of a card game. I would later incorporate some of these in a painting entitled "Trading Cards".

Trading Cards, 16 x 12", acrylic, painting #64, 2004

This current painting, "Platform 9¾, the Portal to Hogwarts" has been on the backburner for more than 10 years. I initially did of a photo study session back in 2013, but somehow felt the time wasn't right to paint it until now. 

Last month, Jean-Luc, now 29 got married to his sweetheart Jessica. Even the rain could not dampen that day. They exchanged vows in a small garden wedding on her father's property. Many of their close friends had small roles in making it the most memorable wedding that I've attended. I even pitched in by making the wedding cake and cupcakes. This painting seemed like a perfect wedding gift for them both. Jessica is also a fan of the Harry Potter series and is currently reading the books. Jean-Luc recently mentioned that they've watched the films numerous times on DVD since they've been together. I'm happy that this painting will remain in the family since Harry Potter is linked to my son since childhood and continues to follow him in his adult life with his wife. 

Jean-Luc and Jessica's Wedding, Sept. 2024

I had acquired the Harry Potter glasses more than a decade ago as a prop for the composition. All seven books do appear in my painting. These were published by Bloomsbury/ Raincoast in Canada, sharing the same artwork on their book covers as the UK editions. In the US, the books were published by Scholastic with completely different artwork.  

The art cover for the first book for Bloomsbury was a pencil/watercolour by illustrator Thomas Taylor showing Harry boarding the Hogwarts Express. The following books in the series featured more fantasy styled artwork created by Cliff Wright (books 2 & 3), Giles Greenfield (Harry Potter and the Goblet of Fire) and Jason Cockroft (last three books).

Illustrations and studies for Harry Potter by Giles Greenfield.

I completed this painting on September 27. Later that same day, I was sadden to  learned that Maggie Smith, who played the role of Professor Minerva McGonagall in film series had died at the age of 89. Of course she is also known for her scene stealing, multi-award winning role of Violet Crawley, Dowager Countess of Grantham in the British period drama Downton Abbey.   

-Private Collection 

Friday, August 30, 2024

Anne with an E, an homage to Lucy Maud Montgomery on her 150th Birthday

         14 x 11 inches, acrylic on gessoed mounted aluminium panel               
 painting #297, 2024 - black floater frame 

This painting is an homage to Lucy Maud Montgomery on her sesquicentennial. This is my fourth painting inspired by the Anne of Green Gables novel. Other paintings can be view on this link or by clicking Lucy Maud Montgomery found in the right column under Labels. 


Heritage Minutes

The famous House of Green Gables that served as the setting for the Cuthbert's in the novel was built during the 1830's by the MacNeil family who were related to the author. In 1909, a year after the first Anne of Green Gables book was published, the house was sold to Myrtle and Ernest Webb. Myrtle was a cousin of Lucy.  In 1936, the house was sold to the Government of Canada when it became vacant, later to be turned into a National Historic Site. 

I've visited the house several times, but not in recent years. Two years ago, just before Prince Edward Island was hit by hurricane Fiona, my wife and I spent three days in Cavendish to cycle on the bike paths of the National Park. We then visited the house that now boasted a beautiful interpretive center (2019). I had brought a bottle of Raspberry Cordial with me, and did a few photos on site. Unfortunately, none of the pictures I took were major enough to paint from. Not long after, I found this book published by Paper Mill Press at Homesense, which seemed perfect to anchor a composition.

Anne of Green Gables, the Musical was performed annually from its opening in 1965 until 2019. The musical had to be cancelled for the first time in 54 years during the Covid-19 pandemic. In March 2014, it was officially recognized by Guinness World Records as the longest running annual musical theatre production in the world.

Anne returned to the Charlottetown Festival stage for the 2022 season. However, organizers announced that the show would be produced only in alternating years from then on and would return in 2024, coinciding with the 150th anniversary of Montgomery's birth. My wife and I took in the second presentation of the summer season on June 20. We had seen the theatrical production twice, the last time was when our son was quite young. We absolutely loved it. We laughed and even shed a few tears. Kelsey Verzotti as the mellow-dramatic protagonist was a revelation to us. The cast, set decoration and orchestra were equally amazing.



Earlier that day, we visited the Green Gables House again, specifically to do a photo study session for this painting. It was quite possibly the warmest day of the whole summer, with the mercury pushing 34°C and the humidex climbing up pass 40°C. We left Moncton under a blue sky that morning. A heavy downpour came out of nowhere just before arriving to Cavendish. Afterwards, the sky remained partially overcast and grey, so the lighting was not great.  When I opened the soda pop bottle of Raspberry Cordial, with the beverage being cool and the weather being so muggy, the inside of the bottle instantly fogged up. Nonetheless, I did my best to set up a composition under these conditions.

Anne's Room at the Green Gables House

After I got home, I proceeded to do dozens of photos for the sky, bottle, book and apple tree under sunnier conditions. I ended up working from nine photos, using bits and bites of each in order to achieve the imagery for this painting. The book is resting on a bench made from a stone slab that is located across the front lawn of Green Gables House.

In late June, the Royal Canadian Mint unveiled commemorative coins of $1 (loonie) and a silver $20 to celebrate the 150th birthday of L.M. Montgomery. This would also mark the first time an author has appeared on a Canadian coin.



My wife Suzanne at the Lucy Maud Montgomery Park in Cavendish, PEI. - Sept. 2022

The artist responsible for the iconic artwork on the Raspberry Cordial bottle is Ben Stahl. The Chicago born artist / illustrator moved to Prince Edward Island in 1984. He did a series of Anne paintings during the late eighties and early nineties that would make him famous. These were also reproduced on book covers, Canadian postage stamps (2008), posters, decorative plates and coffee mugs. Sadly, Mr. Stahl passed away on June 15, 2024 at the age of 91. Unknowingly doing the photo study in Cavendish five days after his death, this painting is also an homage to him, since it's the imagery on the bottle that inspired the whole painting. Anne's face on my painting is only the size of a dime. It was intricate to paint. My rendition, although not exactly identical, might make her appear more youthful. 

Artwork of Anne by Ben Stahl (1932-2024)



Self at the opening reception, Sept. 6, 2024 

This painting will be on view at the Fog Forest Gallery in a group exhibition entitled, 40 years in the Forest, celebrating the gallery's 40th anniversary. September 6 until October 11. Check gallery website for hours of operation.


14 Bridge Street, Sackville,
New Brunswick, Canada, E4L 3N5
Phone (506) 536-9000

-SOLD 

Friday, July 12, 2024

The Crown

            12 x 12 inches, acrylic on gessoed mounted aluminium panel               
 painting #296, 2024 - black floater frame

 

The year 2022 marked a milestone and a memoriam for Her Majesty Queen Elizabeth II. She ascended the throne on February 6, 1952 at the age of 25 following the death of her father King George VI. On February 6, 2022, she would celebrate her platinum jubilee, marking 70 years as the longest reigning monarch of England and Head of the Commonwealth. She died later that same year on September 8, 2022 at the age of 96. 

As one of the most famous person in the world, Queen Elizabeth II was known for her unwavering sense of duty, responsibility, steadfastness and grace. She always put the needs of her country and her people first. Although she faced occasional republican sentiment and media criticism, most often directed towards members of her family and during certain tragic events; the support for the monarchy in the United Kingdom remained consistently high throughout her lifetime, as did her popularity. 

During her reign, she visited and toured my province of New Brunswick a total of five times. Click HERE for a highlight of her visits. I got to see here briefly in a passing car while visiting Moncton on September 24, 1984.



I've been to England three times. Although I've never visited the inside of Buckingham Palace, my wife Suzanne and I have visited Kensington Palace while Princess Diana was still alive and with our son Jean-Luc, we visited Windsor Castle, where the Queen and Prince Philip spent many of their weekends. 
 

  Buckingham Palace, London, May 6, 2010


Windsor Castle, May 3, 2010

One person who has made the monarchy relevant to the masses is none other than screen and playwriter Peter Morgan. He's responsible for writing extensively about Queen Elizabeth II creating no less than three major productions. First, as the screenwriter for the 2006 film, The Queen starring Helen Mirren in the title role. The movie received rave reviews and earned Mirren many accolades including an Academy Award for best actress.

In 2013, Morgan wrote the play, The Audience with Mirren reprising the role of Queen Elizabeth II. The play revolves around weekly meetings between the Queen and her prime ministers. I had a chance to attend a production of that play as it was broadcast live to cinema on June 13, 2013. 
The broadcast broke the record for most people viewing a live production with nearly 80,000 people watching in the UK and 30,000 people in North America. I remember waiting two hours in the movie theatre on Trinity Drive before the broadcast started as there were technical issues in London that cause a major delay. Still, Helen Mirren gave a tour de force performance. The conversations with the prime ministers are not held in chronological order so with a magical quick changes of costume and wigs, she could be switching from Winston Churchill to John Cameron within a few minutes.

Lastly, Peter Morgan is also the principal script writer for all six seasons of the Crown on Netflix. I watched a few episodes of season 1 when it first came out in 2016. But it was only when I started this painting late last fall that I watched all six seasons. The Crown has been praised by critics for its acting, directing, writing, cinematography, and production value. However, its historical inaccuracies have been criticized, particularly in the latter seasons. Netflix has noted that it's "fictional dramatisation" that was "inspired by real events". Nonetheless, I have to say that I absolutely love it and found all six seasons riveting. 

The concept for this painting arose upon seeing two companion books written by Robert Lacey about the Netflix series. Lacey also served as historical consultant for The Crown. It immediately ignited the possibility of incorporating them in a still life painting with a Crown mason jar. Last fall, during the process of doing a few photo studies for the painting, I realized that they lacked color and impact. A quick visit to my local Chapters bookstore remedied that problem as I was lucky enough to find a small coffee table book entitled, The Platinum Queen published in 2022 by Allen & Unwin. This book is a photo essay that chronicles more than 75 speeches given by the Queen during her reign. 




In 2012, during the Queen's Diamond Jubilee (60th anniversary), the Royal Collection would acquire four of Andy Warhol's famous serigraph portraits of Queen Elizabeth II that were exhibited later that fall at Windsor Castle. Click HERE to view the acquired artwork.

During her Platinum Jubilee, Queen Elizabeth II would get the royal treatment by gracing the cover of the May 2022 issue of Vanity Fair Magazine, with three variations of Warhol's portraits. 


On November 24, 2022, two months after her passing, a serigraph prints entitled, Queen Elizabeth II of the United Kingdom, from Reigning Queen, Royal Edition was sold at auction by Heffel Fine Art Auction House in Toronto for $1,141,250 CDN, double the pre-auction estimated price. Click HERE to view.

For this painting, I not only wanted to pay homage to the Queen but to Andy Warhol as well.  Incorporating a Pop Art portrait in the background would create a myriad of colors inside the canning jar. In order to establish a more cohesive palette, I took the artistic liberty of modify several colours. After painting her face a pale shade of blue, I then proceeded to paint several thin glazes of a peach hue to tone down the blue in order to avoid references to the Blue Man Group. I procrastinated for the longest time in painting the Queen's face that appears on the book. That photograph is attributed to Getty Images. Because of the perspective of the book which physically alters her features, her profile in pencil almost looked like Mr. Burns of the Simpsons. All joking aside, I was able to pull it off. In the original photo, the pearl necklace she is wearing has three strands. I opted for two so it would have more presence. 

I did a quick online search and found that the original photograph Warhol used to create his serigraph prints was taken by Peter Grugeon (1918-1980) at Windsor Castle in April 1975. It was later released in 1977 to celebrate the Silver Jubilee. Reproduction of this particular image was used extensively, appearing on commemorative merchandise as well as banknotes across the Commonwealth. In Canada, it was printed on a 25¢ stamp, which I collected at the time when I was 15 years old. On the original photograph, the dress she's wearing is in a pale shade of pink with pearl embellishment, while on the Canadian stamp it appears more to be in a mauvish tone which was the color I settle on for my painting.


Canadian Stamp SC 704 - 1977
photo by Peter Grugeon

She is wearing a collection of Royal Jewels: the Vladimir tiara, Queen Victoria's Golden Jubilee necklace, Queen Alexandra's wedding earrings and the Family Orders of King George V and King George VI on the Garter sash. The tiara has a fascinating history since it was smuggled out of Russia by a British antiques dealer after the assassination of the Tsar Nicholas II and members of the Romanov family. It was later bought by Elizabeth II's grandmother Queen Mary. It originally belonged to the Grand Duchess Vladimir (1854-1920), the wife of the Tsar's uncle, Grand Duke Alexandrovich of Russia. She was the last Romanov to escape Revolutionary Russia and the first to die while in exile in France. 

Both sporting killer moustaches,
Emperor (Tsar) Nicholas II of Russia with
his doppelganger first cousin , 
George V (grand-father of Queen Elizabeth II)
photo- Wikipedia


Vladimir Tiara

The Crown mason jar in my painting is dated 1947 on the bottom. It was actually made in Canada, but for the narrative I substituted it's origin to England. The jar is only one third fill with water. I often insert a marble in the composition as a form of symbolism when my intention is to play a mind-game with the looker. More recently, in the early 21st century, increasing dissatisfaction with several members the house of Windsor and the Royal Family, especially after the death of Queen Elizabeth II has led to public support for the monarchy reaching historical lows. 

With a reign spanning seven decade, Queen Elizabeth II was the only sovereign that most of us have known during our lifetime. She was as much of an institution as anyone in modern history. I leave you with one of her speeches that is written on the back cover of the book featured in the painting. 

''For more than seventy years, I have been lucky to meet and to know many of the world's great leaders. And I have perhaps come to understand a little about what made them special.

It has sometimes been observed that what leaders do for their people today is government and politics. But what they do for the people of tomorrow - that is statesmanship.

I, for one, hope that this conference will be one of those rare occasions where everyone will have the chance to rise above the politics of the moment, and achieve true statesmanship''. 

-Her Majesty, the Queen. Address to the COP26, urging world leaders to find solution to the climate challenges facing our planet. Nov. 1, 2021.


This painting is currently on view at the Fog Forest Gallery in a group exhibition entitled, "Summer Views" - July 11 to August 30, 2024. (will be removed from exhibition if sold). Check website for gallery hours. 

14 Bridge Street, Sackville,
New Brunswick, Canada, E4L 3N5
Phone (506) 536-9000

Friday, October 8, 2021

Improved Corona Jar

 

Title - "Improved Corona Jar"
12 x 14", acrylic on mounted gessoed aluminium panel
painting #288, 2021

This painting might look fun and whimsical at first glance, but it is a allegorical piece that is also meant to pose as a form of social commentary. 

When the Covid-19 pandemic started in early January 2020, the main concern was to try to contain the virus and stop it from spreading. With no vaccine existing, it wasn't long before there were clusters of outbreaks with this virus being so highly contagious. The only way to stop the spread was to put sanitary measures and for many countries to go in lock down, resulting in the massive disruption of our daily lives. As cases multiplied, the healthcare system was soon overwhelmed with lack of PPE and patients going in severe respiratory distress, having to be sedated and intubated while trying to ride off the storm on a ventilator. It was the beginning of a very stressful time for frontline and healthcare workers. Even if all of this was happening, it kind of brought the world together. There were often rallies in front of hospitals in support of healthcare workers, households displaying rainbow signs in their windows that everything was going to be alright, the Zoom platform exploding in popularity, people in cities opening their windows to sing and play music as a form of solidarity.  

Then all of a sudden, it became political, especially when mask mandates were implemented, which for some was a breach of the civil liberties. Science deniers and conspiracy theories would soon follow suite on social media and right-wing channels. Then the virus gradually became an instrument that caused division within the population.

In late 2020, there was hope on the horizon when several pharmaceutical research companies announcing that vaccines had been developed and were being approved for emergency use after their trials were completed.  These were found to have a very high efficacy rate in warding off the disease, hospitalization or deaths. 

When the vaccine rollout started, the response for vaccines was overwhelming. Finally, there was a light at the end of the tunnel. While some remained vaccine hesitant, the anti-mask / anti-vaccine militants started rallies in protest. Still hope remained as the general population continued to roll up their sleeves to get shots into arm. There was a possibility that herd immunity might be achievable if 70-75% or more of the population would become fully immunized. 

That theory seemed sound until the variants started to appear. The vaccines still remain highly effective with high efficacy rate among the general population with no underlying or auto-immune conditions in warding off, complications such as long Covid, hospitalization or death. When the Delta variant started to spread during the summer in the United States, it was a evident, that a pending storm was about to hit us with a 4th wave.  Especially when mask mandates were temporary lifted, our province opened its borders to the rest of Canada and later to the US. It was then referred to as  the pandemic of the unvaccinated, now affecting a much younger slice of the population as this variant is more than 2x as contagious as the previous variants according to the CDC (Centers of Disease Control and Prevention). 

When the federal and provincial governments started to gradually impose vaccination mandates for many public workers and students, followed by vaccine passports to access non essential services, this would incite and fuel the anti-vaxxers to start protesting in front of  hospitals against health care workers. You just can't make this stuff up. Within a year, rallies in front of hospitals went from cheers to jeers.

Our province of New Brunswick had fared rather well since the beginning of the pandemic with all of the precautionary measures in place and were regularly revised depending on the state of contagion. The tide has since turned as we are currently experiencing an unprecedent influx with record high daily number of new cases infected with the Delta variant, hospitalisation and patients requiring ICU care. And this is with 90,1% of the eligible population having received one vaccine and 81,1% that are fully immunized. The fact remains that even if there are breakthrough infections, 80% of those requiring hospitalization are the unvaccinated, proving the the vaccines do work. Our provincial government announced this week that it would be imposing a circuit-breaker system in specific regions in order to contain the transmission of the virus since our hospital system is currently overwhelmed with Covid-19 infections. 

________   

As some of you may or may not know, I was a registered nurse for 35 years before retiring in 2017. On my birthday in late January, my wife offered me a scrumptious cloud cake. Three hours after making a wish and blowing the candles, I received a telephone call from my former employer. They weren't birthday wishes.  It was to join the vaccination taskforce for the vaccine rollout with public health. My response was, "Be careful for what you wish for" since my wish was for an end of the pandemic by year's end. After I received my first vaccine in March, I came out of retirement and started working at vaccination clinics, putting shots into arm. 

As a still life painter, I've been collecting small props for many years. Whenever I get a visceral response or I feel an attraction or a connection for a particular object, I will often buy it on impulse. It can be the first element that can immediately  ignite an idea or concept for a painting. Other times, it can take many years before an event might trigger a response when these stored objects come out of hibernation to be used to create the narrative.

Back in 2006, I was watching the Scotiabank Giller Prize on CBC. The Giller Prize, is a top literary award given to a Canadian author of a novel or short story collection published in English the previous year. The winner that year was "Bloodletting and Miraculous Cures" by Vincent Lam. Dr Lam is a medical doctor and was working as an emergency physician in Toronto at the time of his win. The book is a collection of short stories connected through the relationship that develop among a group of young doctors as they move from the challenges of med school to the intense world of emergency rooms, evac mission and terrifying new viruses. I bought the book shortly thereafter. The title alone intrigued me and thought, it would be a great prop for a painting, but under what circumstances? 

After I had started working at the vaccination clinic, I can across this Corona mason jar which was stored on a back of a shelf in my studio. When I bought it back in 2016, it dawn on me that it was the Spanish word for crown. Also, that I had previously acquired some Crown jars for a commission painting. In the context of the pandemic, the moment I saw the word Corona on the jar, it took a whole different meaning. It was then that the whole narrative for the painting came to me. Later that week , while working at the clinic, a pharmacist who pre-loads the syringes with the vaccine for the nurses kindly gave me an empty vial of the Pfizer BioNtech vaccine. I often refer to marbles as the mind, in the context of, "I'm losing my marbles". I won't go any further with the narrative and let you draw your own interpretation. Just know that the jar is flooded in light and hope. 

While I was painting away, I listened to "Bloodletting and Miraculous Cures" on audio book.  One of the short stories is entitled "Contact Tracing".  It deals with the SARS-CoV-1 that occurred in Toronto during the outbreak between 2002-2004. The initials stands for severe acute respiratory syndrome coronavirus-1. The narrator send chills down my spine as the unfolding drama was exactly the same as with our current pandemic. Lack of PPE, medical personnel getting infected and issues that arises while working in a hospital setting during a pandemic.

During that pandemic, 8110 cases with a 10% mortality rate were reported worldwide from 31 countries. The United States reported 27 cases with no deaths, while Canada reported 251 cases, 44 deaths including one doctor and two nurses who worked at a Toronto hospital. 
SARS-CoV-1 is one of seven known coronaviruses to infect humans. This current pandemic is SARS-CoV-2. When many claim that the vaccine was rushed and developed too quickly, what many don't realize is that the science and research in developing a vaccine for a coronavirus had been in the works in vaccine research labs for years. It's quite impossible to test a specific vaccine for a 3-phase human clinical trial if there is no outbreak within an infected population. 

But if we all coming together, follow sanitary mesures, do our citizen duty by getting vaccinated to protect ourselves and all those around us; maybe, just maybe, we'll put an end to this pandemic. 
   

Buy the book through these links-


This painting will be part of a small solo show entitled "Art-ifacts", hosted by the Fog Forest Gallery in Sackville, NB from October 14 to November 5, 2021. Unfortunately, in order for the gallery to remain open during the pandemic while keeping everybody safe, the gallery director and I came to the decision that it was safer not to hold an opening reception. The public however will be able to visit the gallery at their leisure during the run of the exhibition. 
The gallery will be open on Thursday and Friday from 10 am to 5 pm or by appointment. 


14 Bridge Street, Sackville,
New Brunswick, Canada, E4L 3N5
Phone (506) 536-9000