L'arrivée

Acrylic on gessoed hardboard, 12 x 10''

2010 - #179

This painting is a commission piece from a photo study taken by the clients. It is only the second time that I do work from imagery not conceived by myself. The painting celebrates homecomings, as a couple moving into their beautiful new home and the arrival of their first child. Both events occurring in 2004.

It is a rather minimalist piece. My greatest challenge was to get the lighting right in order to create the proper atmosphere. The light in the wine bottle is coming from the window as the sun is dimly setting on a cold January day.

-commission

Olympic Confectionary

Acrylic on gessoed hardboard, 12 x 12''

2009 - #178

Corner Store no. 2 completed in 2007, was from of the same store located on Barrington Street in Halifax, NS. This time, I painted the other end of the sign which boast not one, but two of these Coca-Cola buttons. Just in time for the upcoming Vancouver 2010 Winter Olympiads with Coca-Cola being a major sponsor of both the Olympic Torch Relay and the Games themselves. I was actually painting the word Olympic on the sign as the Olympic flame had reached Halifax and ice hockey superstar Sidney Crosby (member of team Canada) was passing the flame to Sarah Conrad, a Nova Scotia snowboarder vying for her second Winter Olympics, who got to light the cauldron during the community celebration at the end of the day. Wishing them both the best of luck in their quest for GOLD!

-SOLD

Canoes at Moraine Lake

Acrylic on gessoed hardboard, 15 x 11''

Oct. / Nov. 2009, #177

The image may look familiar, since this is a larger version of the painting, Study of Canoes at Moraine Lake. Even when I did the study, I realized that I was challenging the laws of landscape art by drawing the horizon in the dead center of the image. In return, the top and bottom half may appear to compete one against the other for the subject matter's focal point. I wanted the viewer to see both part as having equal weight by the magic of perspective, and use the canoe as a mode of transportation in order to truly enter and explore the landscape instead of looking at it from the lake's edge.

This painting will be part of the art auction for Ability NB, held in Fredericton, NB, during the month of November, 2014. Details to follow. 
-SOLD

Olympic Torch Relay- Vancouver 2010

photo by Adam Huras - the Telegraph Journal

Lto R - Jean-Luc, myself and Doreen Nowlan-Gallant

Today was full of excitement as I had the honor to share in the Olympic Flame with the communities of Cap-Pelé, Shediac and Moncton, NB, as an official torchbearer during day-25 of the Olympic Torch Relay of the Vancouver 2010 Winter Games.

In 1976, I watched the Olympic Torch Relay make it's way through the streets of Montreal on route to the stadium while the opening ceremonies were taking place. My 14 and a half year old son Jean-Luc is exactly the same age I was then, and today had the opportunity to stand besides me in my 1988 Calgary torchbearer's suit and witness the lighting of my torch firsthand, becoming a full-circle moment for me.

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As we were only three torchbearers in the village of Cap-Pelé, it was a more intimate and personal experience. When I received the flame and passed it on, I got to hear our national anthem of ''O Canada'' each time; first from the crowd, then by the children from the elementary school. During both times we stood at attention and touched the tip of our torches high as two flames became one. When I got to run my leg of the relay, the Olympic spirit within me was beaming brighter than the torch itself.

People were so enthusiastic both along the course and the festivities later held in community celebrations in Shediac and my hometown of Moncton, where cauldrons were lit. My torch which I got to keep, became a symbol of the Olympic spirit and in turn I would become an ambassador of sorts in sharing my experience with everybody around me. I was more than happy to let anybody hold the torch as I had my photo taken with several hundred people, from babies, tots, kids, teens, adult and seniors. Many school took a two-hour break so the school kids would have a chance to witness a moment in history.

The true meaning to this most memorable day in my life will truly reveal itself when the Olympic flame reaches Vancouver on February 12 and enters the stadium on route to the cauldron. As it happened during the Calgary Olympiads, my heart will be bursting with pride. Thank you RBC, Coca-Cola and the wonderful team behind this monumental event.

''A monopoly of lollipops'' is a finalist

A monopoly of lollipops, 16 x 16'' - 2009

Private collection - St Philips, Newfoundland

A monopoly of lollipops was named a Finalist in the Still Life/Floral category in the 26th Annual Art Competition of the Artist's Magazine. Winners and finalists are announced in the December 2009 issue of the Artist's Magazine on news stand now. Thanks to the judges for this honour.

Stawberries on a Sunday (revisited)

Acrylic on gessoed hardboard, 2006-09

27 cm diameter, #101

This painting will be among the paintings on the block at the 19th Annual Art & Antique Auction in support of the Canadian Paraplegic Association being held in Fredericton, NB on November 12, 2009. I have been associated with this very worthy cause for the third year.

-SOLD

Near & Far - Opening reception - October 16, 2009

A Gallery Hop in Saint John, NB is an event that always brings out a crowd on Friday evenings as openings are held in several exhibition spaces in the port city. My son Jean-Luc was the official photographer during the evening of the opening of my own solo show at Handworks Gallery. At one point he said, there are too many people, I can't see the artwork.

It was fun meeting the public. I got to chat with fellow gallery artists Holly McKay & Lynn Wigginton. To share my enthusiasm with others who seem genuinely excited to see my new work. When the evening was over, 14 of the 21 paintings had a red dot. Many thanks to all the people who came to view the artwork, to all those who send me warm wishes and the patrons who acquired the paintings. Thank you to Cliff Turner and Shannon Merrifield, the gallery owners and their staff for doing such a superb job.

Photos- top- with Cliff Turner / Cliff is an amazing hyperrealist painter who had a solo exhibition that concluded on Thursday. The very large 5 x 7 feet painting entitled Hot Wheels in the bottom photo, was a piece of that show.

middle- with Jean-Luc / bottom- mingling !

In other news, I want to congratulate my wife Suzanne, whom this show was dedicated to. Today, she reached the final destination of Santiago de Compostella during day-28 of the 800 km walking / backpacking trek across Spain on the Camino Francés. Bravo!

Marbles on ''Three Coke Bottles''

Acrylic on gessoed hardboard, #176

5 x 7', 2009

Three Coke Bottles is an acrylic and silkscreen done by Andy Warhol in 1962. Here it appears as a blank card format on a semi out of focus Campbell's Soup Can 1 (1968), from the book Pop Art by Tilman Osterwold.

I leave you with famous quotes by Andy Warhol:

-''I am a deeply superficial person''.

-''Everybody must have a fantasy''.

-''Art is what you can get away with''.

-''Think rich, look poor''.

-''TV is not something to watch, but something to be on''.

-''Employees make the best dates. You don't have to pick them up and they're always tax- deductible''.

and of course,

-''In the future, everybody will be world famous for 15 minutes''.

This is the final piece for my solo show, Near & Far that opens this evening at Handworks Gallery in Saint John, NB. Everyone is invited to the Opening reception that will take place this evening from 5 to 8 pm and will coincide with a Gallery Hop with the other 10 art galleries/institutions of the city.

Part of my solo show- Near & Far - October 16-30, 2009.

-SOLD

Reflecting on Andy Warhol

 Acrylic on gessoed hardboard, #175

5 x 7'' - 2009

Pop art emerged in the mid 1950s in Britain and in the late 1950s in the USA. Pop art challenged tradition by asserting that an artist's use of the mass-produced visual commodities of popular culture is contiguous with the perspective of fine art. Pop Art removes the material from its context and isolates the object, or combines it with other objects, for contemplation.The concept of Pop Art refers not as much to the art itself as to the attitudes that led to it. (ref-Wikipedia)

Andy Warhol was a major contributor of the movement when it exploded during the 1960's. He was a larger than life figure. Often using other people photography and commecial items to create silkscreen prints and mixed media installations. From Marilyn Monroe to Wayne Gretzky, Brillo soap pads to Coca-Cola, Orange Car Crash to Double Silver Disaster (electric chair). He was also a photographer, illustrator, painter, avant-garde filmmaker and a socialite.

I've always admired his colorful art, and to a certain extent, have been influence by his body of work as a painter. He died the same month I started to paint, February of 1987. Painting #2 of my list of original paintings was entitled, ''Not Andy Warhol''. It was an experimental double portrait of my wife & myself in a se-tenant inspired piece based on his serigraphs. I've had a chance to see a few of his solo exhibitions including a show at the annual FIAC (Grand Palais) in Paris in 1989 and at the Art Gallery of Ontario in Toronto during the spring of 1998. I hope one day to visit his Museum in Pittsburgh.

In this painting are a pocket size journal with two half Campbell's soup cans by Warhol, and an image, Self-Portrait (1967) as seen on page 55 of Tilman Osterwold's book, Pop Art. What surprised me the most about this piece was that I was able to pull off the portrait with paint, because the preliminary pencil drawing was awful. The Chinese ball was the object however that made this piece important enough to paint. Of linking the art with the artist on the reflective sphere.

Part of my solo show- Near & Far - October 16-30, 2009.
-SOLD

Tomate sur TOMATES

Acrylic on gessoed hardboard, #1747 x 5'' - 2009

The next three paintings are all inspired by Andy Warhol. Warhol's first solo exhibition took place at the Ferus Gallery, Los Angeles, during the summer of 1962. The show comprised of 32 paintings of all the varieties of Campbell's Soup cans sold by the company at the time. When asked why he painted them, he replied that he had eaten Campbell's soup for lunch for the last 20 years. On May 9, 2006, Small Torn Campbell's Soup Can (Pepper Pot) - 20 x 16'', 1962 was sold at a Christie's auction to Gagosian Gallery for a whopping $11 776 000 (incl. buyers premiums)- click here.

Last week, as I was doing the grocery shopping, I notice a display case in the store that boosted more than 60 varieties of Campbell Soup Cans.

Campbell's Soups have been around since 1869, and the famous font lettering on red with the gold seal from the 1900 Paris Exhibition as been around for more than a century. Classic design are all in fashion. In 1968, Campbell's introduced the mail-in offer of the groovy Souper Dress , which could be bought for $1 and two labels.

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Part of my solo show- Near & Far - October 16-30, 2009.

-SOLD

Absolut Gerber Daisies

Acrylic on gessoed hardboard, #173

5 x 7'' - 2009

Absolut Vodka is a Swedish spirit that was first introduced in 1879. It accounts for 40% of all vodkas imported in the US. It's fame is very much attributed to the distinctive shape of its bottle and the longest running ad campaign dating back to around 1980. With full-page ads in magazines featuring the shape of the bottle in the center, with a tagline of ABSOLUT blank (at the bottom). See this Google link for imagery. Many flavors of vodka have been introduced since by Absolut, but the shape of its bottle has remain the same. With more than 1500 ads to date, no product has re-invented itself more over time. Even artists like Romero Britto and Andy Warhol have been involved as commissioned artists.

The setting for this painting is our kitchen window with the cherry tree in the backyard explaining the greenery.

Part of my solo show- Near & Far - October 16-30, 2009.

-SOLD

Reciclaje de botellas de Coca-Cola

Acrylic on gessoed hardboard, #172

7 x 5'' - 2009

The photo study for this painting was taken in Ruitelan, Spain during day 22 of my trek on the Camino this past June. My walking day of 26,5 km was over and it was still very early in the day, before noon in fact. After dipping my tired feet in the cool stream nearby, I had lunch in the local bar. Upon exiting the premise, I spotted a stack of Coca-Cola crates sunbathing in the hot rays. This crate had been around for a while. It had a weathered look and the red had lost it's original punch.

Aquarius is an electrolyte replacement drink bottled by Coca-Cola in Spain. I drank some every day on the Camino. Here, Diet Coke is bottled under the name Coca-Cola Lite and sports a shiny metallic label with red lettering (bottle to the right). At the bars, they would serve Coca-Cola on ice from these mini bottles with a wedge of lemon.

I could probably do a series of paintings of Coca-Cola signs seen during my 800 km trek across Spain. The photos below are from Azofra, a small village I passed through on 
day 8. 

Part of my solo show- Near & Far - October 16-30, 2009.

-SOLD

La Maison de l'Orchidée, Paris

Acrylic on gessoed hardboard, #170

6 x 6'' - 2009

This painting was initially started for my last solo show at Handworks Gallery in 2007. I found the subject matter a bit daunting, so I decided to shelf it very early on. Fast forward 2009, the subject matter seemed very a-propos for the theme of this current show, so I decided to attempt it once again. Parchment, my new color by Liquitex, came in very handy to tackle the whites of the orchid's blooms. La Maison de l'Orchidée (The Orchid House), is situated at Place Louis Lépine, very close to Notre-Dame Cathedral in Paris. We stumble upon it while strolling through the streets of Paris during the spring of 2006. I just love orchids. This painting comes with an Umbra aluminium gallery easel, with the option of wall hanging.

Part of my solo show- Near & Far - October 16-30, 2009.

-SOLD

Study for Canoes at Moraine Lake

Acrylic on gessoed hardboard, #169

7 x 5'' - 2009

I've visited parts the province of Alberta three times. All three included visiting the Rocky Mountains. In December of 1983, I got the opportunity to ski beautiful Sunshine Village Resort in Banff during winter. The last two trips in 2005 & 2007 were in the summer. The majesty of the Canadian Rockies is breathtaking. It is difficult to stand in front of a scene like this without being in awe.

Just a few kilometers from Lake Louise is Moraine Lake. Moraine is a glacially fed lake situated in the Valley of the Ten Peaks. The emerald color water is attributed to the refraction of light off the rock flour deposited in the lake on a continual basis. Lake Louise & Lake Peyto shares the same phenomenon. Moraine Lake is one of the most photographed locations in all of Canada. It is known as the ''Twenty Dollar'' view, as it was featured on the reverse side of the 1969 & 1979 Canadian dollar bill. The rental canoes at Lake Louise are an orangy color, while those at Moraine Lake are in the primary colors + Hunter green. I had not painted a landscape for several years, but this one was irresistible. I am already planning a larger version.

Part of my solo show- Near & Far - October 16-30, 2009.

-SOLD

Crayolas on Lichtenstein

Acrylic on gessoed hardboard, #168

5 x 7'', 2009

A simple composition of layering objects. A cat's eye marble on a basic 8 Crayola Crayon box, on the cover of Pop Art, an art book written by Tilmon Osterwold, with M-Maybe by Roy Lichtenstein on the cover. I only displayed the primary colored crayons from the box, as they are the colors used in Lichtenstein's artwork.

Roy Lichtenstein (1923-1997) was an American pop artist who's work was heavily influenced by both advertising and comic book style. Even though my own work technically is very much rooted in hyper realism, Pop Art has a definite direct influence and my love for primary colors probably started here. I've had the chance to view a lot of his work in major art museums in both North America & Europe. His art is also displayed in public spaces including the tuilerie gardens of the Louvres in Paris, the J. Paul Getty Museum grounds in LA, the Reina Sofia Museum in Madrid as previously posted on my blog, and the large 6 x 53 feet Times Square mural entitled Next stop, Times Square (1994) in the New York City subway station at 42nd & Broadway. Although it was completed 3 years before his death, it was only installed on September 5, 2002. I got to see it on November 4, 2002 when we visited NYC before running my 2nd NYC Marathon.

Part of my solo show- Near and Far - October 16-30, 2009.

-SOLD